 | Joss Bennathan - 2000 - 164 pagini
...capon' lined, With eyes severe, and beard of formal cut, Full of wise saws' 1 and modern instances, And so he plays his part; the sixth age shifts Into the lean and slippered pantaloon," With spectacles on nose and pouch on side, His youthful hose, well saved, a world... | |
 | Stephen Curtis, Martin Manser - 2000 - 292 pagini
...severe and beard of formal cut, full of wise saws and modern instances'. (6) the lean and slippered pantaloon ‘with spectacles on nose and pouch on side, his youthful hose, well saved, a world too wide for his shrunk shank; and his big manlyvoice turning again towards childish... | |
 | Alec Reed - 2001 - 168 pagini
...good capon lin'd, With eye severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into...voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness... | |
 | Howard Pollack - 2001 - 556 pagini
...wise saws and modern instances; / And so he plays his part."] VI. "The lean and slipper'd pantaloon" ["The sixth age shifts / Into the lean and slipper'd...voice, / Turning again toward childish treble, pipes / And whistles in his sound."] VII. "Last scene of all, sans teeth, sans eyes, sans taste, sans everything"... | |
 | Carol Rawlings Miller - 2001 - 84 pagini
...good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into...on nose and pouch on side, His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish... | |
 | Harold Bloom - 2001 - 750 pagini
...capon lin'd, I With eyes severe, and beard of formal cut, I Full of wise saws, and modern instances, I And so he plays his part. The sixth age shifts / Into the lean and slipper'd pantaloon, I With spectacles on nose, and pouch on side, I His youthful hose well sav'd, a world too wide I For... | |
 | Michael Brogden - 2001 - 226 pagini
...of life were a problem if prolonged indefinitely: The sixth age shifts Into the lean and ulipper'd pantaloon, With spectacles on nose and pouch on side, His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish... | |
 | Gunnar Sorelius - 2002 - 222 pagini
...good capon lin'd, With eyes severe, and beard of formal cut, Full of wise saws, and modern instances, And so he plays his part. / The sixth age shifts Into...voice, Turning again toward childish treble, pipes And whistles in his sound. / Last scene of all, That ends this strange eventful history, Is second... | |
 | William Shakespeare - 2002 - 244 pagini
...good capon lin'd, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into...voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness... | |
 | Carol Dommermuth-Costa - 2001 - 120 pagini
...good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances, And so he plays his part. The sixth age shifts Into...on nose and pouch on side, His youthful hose, well saved, a world too wide For his shrunk shank, and his big manly voice, Turning again toward childish... | |
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And so he plays his part: The sixth age shifts Into the lean and slipper'd pantaloon; With spectacles on nose, and pouch on side; His youthful hose, well sav'd, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish... 
