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" Fie, fie upon her ! There's language in her eye, her cheek, her lip, Nay, her foot speaks ; her wanton spirits look out At every joint and motive of her body. "
The Plays of Shakspeare: Printed from the Text of Samuel Johnson, George ... - Pagina 307
de William Shakespeare - 1807
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Dramas of Hybridity: Performance and the Body

Jeffrey Masten, Wendy Wall - 2000 - 184 pagini
...(98-99). Ulysses' disgusted assessment of her while she is circulated among the men of the Greek camp — "There's language in her eye, her cheek, her lip /...look out / At every joint and motive of her body" (4.5.55-57) — henceforth fixes her literal face value as "sluttish" (4.5.62) in her own eyes ("O...
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莎士比亞通論: 喜劇

顏元叔 - 2001 - 838 pagini
...Awomanofqu @ cksense ( 這女人反應真快) " ; 而U @ ys ses 給了更深更廣的評論: Ulyss.Fie, fie upon her! There's language in her eye, her cheek,...O, these encounterers, so glib of tongue, That give accosting welcome ere it comes, And wide unclasp the tables of their thoughts To every ticklish reader:...
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The Discovery of Poetry: A Field Guide to Reading and Writing Poems

Frances Mayes - 2001 - 548 pagini
...generosity, jealousy, pain.) Shakespeare must have been thinking of concrete naming when he wrote: Fie, fie upon her! There's language in her eye, her cheek,...spirits look out At every joint and motive of her body. The language in her eye is the point here. The words to describe her are all over her body; every part...
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The Origins of English Words: A Discursive Dictionary of Indo-European Roots

Joseph Twadell Shipley - 2001 - 688 pagini
...tongue with a tang." In Troilus and Cressida, iv, 5, Ulysses scornfully says of Cressida: Fie, fie upon her! There's language in her eye, her cheek,...spirits look out At every joint and motive of her body. dlku: sweet. Gk, glycerine; glucose, licorice, varied to liquorice; liquorish, lecherous and lecher...
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Shakespeare and Sexuality

Catherine M. S. Alexander, Stanley Wells - 2001 - 222 pagini
...enticing words, but to the watching Ulysses what she does and what she is are still more provocative: There's language in her eye, her cheek, her lip, Nay,...spirits look out At every joint and motive of her body. (4.5.55-7) In As You Like It, sexual desire is said to be sudden and reckless on both sides, like a...
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Say It Like Shakespeare: How to Give a Speech Like Hamlet, Persuade Like ...

Thomas Leech - 2001 - 328 pagini
...dislike the matter, but The manner of his speech. Octavius Caesar, Antony and CUopatra. 2, 2 Fie, fie upon her! There's language in her eye, her cheek,...foot speaks; her wanton spirits look out At every join and motive of her body. Ulysses, Troilus and Cressida. 4, 5 What makes up nonverbal communication?...
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Lectures on Shakespeare

Wystan Hugh Auden - 2002 - 428 pagini
...the acts of hares, are they not monsters? (III.ii.79-96) Ulysses ticks Cressida off at once: Fie, fie upon her! There's language in her eye, her cheek,...O, these encounterers so glib of tongue, That give accosting welcome ere it comes And wide unclasp the tables of their thoughts To every ticklish reader...
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Speech and Performance in Shakespeare's Sonnets and Plays

David Schalkwyk - 2002 - 284 pagini
...falsehood, which she carries by virtue of being both a sexual and a social, female, being: ULYSSES Fie, lie upon her! There's language in her eye, her cheek,...O these encounterers so glib of tongue, That give accosting weleome ere it comes, And wide unclasp the tables of their thoughts To ever\' ticklish reader,...
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The Complete Idiot's Guide to Clear Communication

Kris Cole - 2001 - 376 pagini
...for agreement and when to bide our time, when to lighten up and when to apply pressure. Silver Tongue "There's language in her eye, her cheek, her lip,...spirits look out at every joint and motive of her body." —William Shakespeare Does people's language conceal their true thought from you, or does their body...
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The Cambridge Shakespeare Library: Shakespeare's times, texts, and stages

Catherine M. S. Alexander - 2003 - 504 pagini
...us. This instance is interesting since Ulysses is evidently looking upstage at her as she walks off: Nay, her foot speaks; her wanton spirits look out...O, these encounterers, so glib of tongue, That give accosting welcome ere it comes. . . . Ulysses, like Romeo, is reinforcing the skill of the boy-actor...
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