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" Fie, fie upon her ! There's language in her eye, her cheek, her lip, Nay, her foot speaks ; her wanton spirits look out At every joint and motive of her body. "
The Plays of Shakspeare: Printed from the Text of Samuel Johnson, George ... - Pagina 303
de William Shakespeare - 1807
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Reading Shakespeare Historically

Lisa Jardine, Professor of Renaissance Studies Lisa Jardine - 1996 - 207 pagini
...joke as die one made at Cressida's expense in Troilus and Cresstda (4.5.54-63): ''Ulysses. Fie, fie upon her! / There's language in her eye, her cheek,...these encounterers, so glib of tongue, / That give accosting welcome ere it comes, / And wide unclasp the tables of their thoughts / To even- ticklish...
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The English Stage: A History of Drama and Performance

John L. Styan, Styan, John Louis Styan - 1996 - 432 pagini
...leaves the stage under the jaundiced eye of Ulysses: NESTOR. A woman of quick sense. ULYSSES. Fie, fie upon her! There's language in her eye, her cheek,...spirits look out At every joint and motive of her body. (4-5-54-7) It is for the audience to look at Cressida's protracted departure upstage and decide whether...
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Shakespeare's Universal Wolf: Studies in Early Modern Reification

Hugh Grady, Professor of English Hugh Grady - 1996 - 241 pagini
...as Ulysses interprets it at the end, as proof of Cressida's infidelity and worthlessness: Fie, fie upon her! There's language in her eye, her cheek,...spirits look out At every joint and motive of her body. (iv. v. 54-7) But in Ulysses ' metaphor, the wanton spirits that look out from Cressida's body are...
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Writing on the Renaissance Stage: Written Words, Printed Pages, Metaphoric Books

Frederick Kiefer - 1996 - 377 pagini
...when Ulysses watches Cressida kissing the Greeks, we witness figurative rather than literal reading: "There's language in her eye, her cheek, her lip,...look out / At every joint and motive of her body" (4.5.55-57). Ulysses' remark recalls Thomas Wilson's observation that "The gesture of a man, is the...
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Shakespeare the Playwright: A Companion to the Complete Tragedies, Histories ...

Victor L. Cahn - 1996 - 865 pagini
...Nestor seems entranced: "A woman of quick sense" (IV, v, 54), but only Ulysses evaluates her accurately: There's language in her eye, her cheek, her lip, Nay,...spirits look out At every joint and motive of her body. (IV, v, 55-57) The scene is interrupted by the entrance of the Trojan leaders. An exchange of insults...
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Shakespeare, Sex and the Print Revolution

Gordon Williams - 1996 - 274 pagini
...in terms which are all the more unfair because it is he who has exposed her to promiscuous handling: Her wanton spirits look out At every joint and motive...O these encounterers so glib of tongue, That give accosting welcome ere it comes, And wide unclasp the tables of their thoughts To every tickling reader,...
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New Theatre Quarterly 51: Volume 13, Part 3

Clive Barker, Simon Trussler - 1997 - 105 pagini
...enticing words, but to the watching Ulysses what she does and what she is are still more provocative: There's language in her eye, her cheek, her lip, Nay,...spirits look out At every joint and motive of her body. (IV, v, 55-7) In As You Like It, sexual desire is said to be sudden and reckless on both sides, like...
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Body Language in Literature

Barbara Korte - 1997 - 329 pagini
...CRITICAL FRAMEWORK FOR THE ANALYSIS OF BODY LANGUAGE IN (NARRATIVE) LITERATURE Categories of Body Language There's language in her eye, her cheek, her lip, Nay,...spirits look out At every joint and motive of her body. Shakespeare, Troilus and Cressida, 4.5.55-7 This chapter establishes categories which allow the analysis...
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Strands Afar Remote: Israeli Perspectives on Shakespeare

Avraham Oz - 1998 - 307 pagini
...Ulysses' gaze the spectacle of Cressida speaks with perfect clarity and consonance: Ulysses. Fie, fie upon her! There's language in her eye, her cheek,...out At every joint and motive of her body. O, these encounterers,22 so glib of tongue, That give accosting welcome ere it comes. And wide unclasp the tables...
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Historicism, Psychoanalysis, and Early Modern Culture

Carla Mazzio, Douglas Trevor - 2000 - 417 pagini
...textually specific example, take Ulysses' diatribe on the semiotic imbrication of Cressida's body: There's language in her eye, her cheek, her lip, Nay,...O, these encounterers, so glib of tongue, That give accosting welcome ere it comes. And wide unclasp the tables of their thoughts To every ticklish reader!...
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