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" I do not strain at the position, — It is familiar, — but at the author's drift : Who, in his circumstance, expressly proves, That no man is the lord of any thing, (Though in and of him there be much consisting, ) Till he communicate his parts to others... "
The Plays of William Shakespeare : Accurately Printed from the Text of the ... - Pagina 341
de William Shakespeare - 1805
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The Handy-volume Shakspeare [ed. by Q.D.].

William Shakespeare - 1867
...Till it hath travell'd, and is mirror'd there Where it may see itself: this is not strange at all. (Though in and of him there be much consisting,) Till...aught Till he behold them form'd in the applause Where they're extended ; which, like an arch, reverberates The voice again ; or, like a gate of steel Fronting...
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The Pictorial edition of the works of Shakspere, ed. by C. Knight. [8 vols ...

William Shakespeare - 1867
...circumstance, expressly proves, That no man is the lord of anything, (Though in and of him there is @ 0 \fho, like an arch, reverberates The voice again ; or like a gate of steel Fronting the sun, receives...
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Studies of Shakspere

Charles Knight - 1868 - 560 pagini
...expressly proves, That no man is the lord of anything (Though in and of him there is much consistingt, Till he communicate his parts to others : Nor doth...an arch, reverberates The voice again : or like a irate of steel. Fronting the sun, receives and renders back His figure and his heat. I was much rapt...
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Tragedies

William Shakespeare - 1870
...circumstance, expressly proves, That no man is the lord of anything, (Though in and of him there ia much consisting,) Till he communicate his parts to...of himself know them for aught Till he behold them forni'd in the applause Where they are extended; which, like an arch, reverberates The voice again...
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The Dramatic Works and Poems of William Shakespeare: With Notes ..., Volumul 2

William Shakespeare - 1871
...by the following lines in Troilus and Cressida, Act Hi. Sc. 3-- * no man is the lord of any thing, Till he communicate his parts to others : Nor doth...aught, Till he behold them form'd in the applause Wheie they are extended.'' [ie displayed at length^ And had, besides this gentleman in question, Two...
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The Dramatic Works of William Shakespeare, Volumul 4

William Shakespeare - 1872
...author's drift; Who, in his circumstance, expressly proves That no man is the lord of anything, — Though in and of him there be much consisting, —...Till he behold them form'd in the applause Where they 're extended ; who, like an arch, reverberates The voice again ; or, like a gate of steel Fronting...
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Shakspeare's play of Troilus and Cressida, with notes critical and ...

William Shakespeare - 1872
...vision. So in Macbeth, iii. 4, 'Thou hast no speculation in those eyes which thou dost glare with.' Till he communicate his parts to others : Nor doth...of himself know them for aught Till he behold them formed in the applause Where they 're extended; who, like an arch, reverberates The voice again; or...
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Parnassus

Ralph Waldo Emerson - 1874 - 534 pagini
...man is the lord of any thing Nor doth he of himself know them for aught Till he behold them formed in the applause Where they are extended, which, like...reverberates The voice again ; or like a gate of steel, ODE TO HIMSELF. WHERE dost them careless lie Buried in ease and sloth ? Knowledge that sleeps, doth...
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Parnassus

Ralph Waldo Emerson - 1874 - 534 pagini
...'tis thine,— I see thee standing by me now. CHANNING. FORESIGHT. No man is the lord of any thing Till he communicate his parts to others, Nor doth...of himself know them for aught Till he behold them formed in the applause Where they are extended, which, like an arch, reverberates The voice again ;...
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Troilus and Cressida

William Shakespeare - 1998 - 205 pagini
...at the author's drift; Who in his circumstance expressly proves That no man is the lord of anything. Though in and of him there be much consisting. Till...of himself know them for aught Till he behold them formed in th'applause Where they're extended; who. like an arch. reverb'rate 120 The voice again: or....
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