 | Perry Nodelman - 1990 - 353 pagini
...they suggest. Charles Lamb emphasized the linguistic nature of this sort of reading when he said of Hogarth, "His graphic representations are indeed books: they have the teeming, fruitful, suggestive meanings of words. Other pictures we look at — his prints we read" (449). Raymond Lister's descriptions... | |
 | Perry Nodelman - 1990 - 353 pagini
...they suggest. Charles Lamb emphasized the linguistic nature of this sort of reading when he said of Hogarth, "His graphic representations are indeed books: they have the teeming, fruitful, suggestive meanings of words. Other pictures we look at — his prints we read" (449). Raymond Lister's descriptions... | |
 | 2005 - 500 pagini
[ Ne pare rău, conținutul acestei pagini este restricționat ] | |
 | 1997 - 540 pagini
[ Ne pare rău, conținutul acestei pagini este restricționat ] | |
 | Arthur C. Danto - 1997 - 374 pagini
...agendas on the transformative powers of art. Writing of the engravings of Hogarth, Lamb described them as books: "They have the teeming, fruitful, suggestive...meaning of words. Other pictures we look at — his we read." Something of the same is true of Goya's prints; of the Caprichos; of Los Desastres de la... | |
 | David Bindman - 1997 - 214 pagini
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 | Harald Kämmerer - 1999 - 376 pagini
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I was pleased with the reply of a gentleman, who being asked which book he esteemed most in his library, answered, — "Shakspeare": being asked which he esteemed next best, replied — "Hogarth. 
