| Poonam Trivedi, Dennis Bartholomeusz - 2005 - 316 pagini
...of Venice, though he believed that the only place where it played "a deeper positive role" 29 was in "Tell me where is fancy bred / Or in the heart or in the head?" (3.2.63-64). It became the theme song of the play, delivered vocally by a guitarist before the play... | |
| William Dragon, Steve Duck - 2005 - 356 pagini
...things or just an overwhelming sense of pleasure, undifferentiated. Do we need to ask what is primary? “Where is fancy bred? or in the heart or in the head?” The first paper included here was a pioneering attempt to develop a measure of the components of love... | |
| William Dragon, Steve Duck - 2005 - 356 pagini
...things or just an overwhelming sense of pleasure, undifferentiated. Do we need to ask what is primary? "Where is fancy bred? or in the heart or in the head?" The first paper included here was a pioneering attempt to develop a measure of the components of love... | |
| James P. Lusardi - 2006 - 292 pagini
...in prayer. Nerissa's piercing contralto, accompanied by a harpsichord, trills out the fateful song: "Tell me where is fancy bred, / Or in the heart or in the head?" (3.2.63— 64). Kelly handles Nerissa's plaintive song admirably, though perhaps not quite so spectacularly... | |
| D. H. Lawrence - 2007 - 422 pagini
...King of the Two Sicilies, for services rendered to Ferdinand. 1 The Merchant of Venice III. ii. 63 ['Tell me where is fancy bred/ Or in the heart or in the head?']. 3 Hieron I (d. 467? BC), the tyrant of Syracuse (who was also a patron of literature as Aeschylus Secker... | |
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