Keyframes: Popular Cinema and Cultural StudiesMatthew Tinkcom, Amy Villarejo Psychology Press, 2001 - 398 pagini Keyframes introduces the study of popular cinema of Hollywood and beyond and responds to the transformative effect of cultural studies on film studies. The contributors rethink contemporary film culture using ideas and concerns from feminism, queer theory, 'race' studies, critiques of nationalism, colonialism and post-colonialism, the cultural economies of fandom, spectator theory, and Marxism. Combining a film studies focus on the film industry, production and technology with a cultural studies analysis of consumption and audiences, Keframes demonstrates the breadth of approaches now available for understanding popular cinema. Subjects addressed include: * Studying Ripley and the 'Alien' films * Pedagogy and Political Correctness in Martial Arts cinema * Judy Garland fandom on the net * Stardom and serial fantasies: Thomas Harris's 'Hannibal' * Tom Hanks and the globalization of stars * Queer Bollywood * Jackie Chan and the Black connection * '12 Monkeys', postmodernism and urban space. |
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Cuprins
Introduction | 1 |
Woman as international sign | 31 |
Introduction | 33 |
Youve been in my life so long I cant remember anything else into the labyrinth with Ripley and the Alien | 35 |
Warrior marks global womanisms neocolonial discourse in a multicultural context | 52 |
Daddy wheres the FBI warning? constructing the video spectator | 72 |
Romance andas tourism heritage whiteness and the international imaginary in the new womans film | 82 |
Race as spectacle feminism as alibi representing the civil rights era in the 1990s | 98 |
Introduction | 205 |
The voice of pornography tracking the subject through the sonic spaces of gay male movingimage pornography | 207 |
Nostalgia of the new wave structure in Wong Karwais Happy Together | 228 |
Mario Lanza and the fourth world | 242 |
Devouring creation cannibalism sodomy and the scene of analysis in Suddenly Last Summer | 259 |
Queer Bollywood or Im the player youre the naive one patterns of sexual subversion in recent Indian popular cinema | 280 |
Production notes | 299 |
Introduction | 301 |
New constellations stars | 115 |
Introduction | 117 |
Judy on the net Judy Garland fandom and the gay thing revisited | 119 |
Jackie Chan and the black connection | 137 |
Stardom and serial fantasies Thomas Harriss Hannibal | 159 |
Learning from Bruce Lee pedagogy and political correctness in martial arts cinema | 171 |
Waas sappening? narrative structure and iconography in Born in East LA | 187 |
Moving desires | 203 |
Cinema studies doesnt matter or I know what you did last semester | 303 |
12 Monkeys postmodernism and the urban toward a new method | 312 |
Terminator technology Hollywood history and technology | 333 |
Compulsory viewing for every citizen Mr Smith and the rhetoric of reception | 343 |
Standardizing professionalism and showmanship the performance of motion picture projectionists during the early syncsound era | 359 |
States of emergency | 377 |
395 | |
Alte ediții - Afișează-le pe toate
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2003 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2003 |
Termeni și expresii frecvente
12 Monkeys aesthetic Alien Alien Resurrection American argue audience Bo-wing Bob Perelman Born in East Bruce Lee Catherine Chan Chan's Chicano Chinese cinema commodity contemporary context critical cultural studies cure desire discourse discussion East L.A. essay ethnic fandom fans fantasy female feminism feminist figure film studies film's gay male gay pornography gender global Hannibal heterosexual Hollywood homosexuality Hong Kong identity ideology industry Jackie Jackie Chan Judy Garland KWRU labor Lanza lesbian London Lurene madness Mario Lanza martial arts media arts motion picture movie narrative political popular porn pornography postmodern practices production projection projectionists psychoanalysis queer racial reading relation representation Ripley role romance Routledge Rudy scene screen Sebastian sexual social sodomy sound space spectator stardom structure talking cure television textual theater theory tion tourist transnational University Press urban viewers visual voice Warrior Marks woman women York
Referințe la această carte
Bollywood: Sociology Goes To the Movies Rajinder Kumar Dudrah Nu există previzualizare disponibilă - 2006 |