POPE wrote but few short Poems that are suitable for this Series. In order, therefore, to do him justice, one of his longer pieces is here given; and The Rape of the Lock for preference, because, as regards its form, it is one of the masterpieces of English Mock Heroic Verse; while its subject matter gives us a charming picture of the Age of Queen ANNE. This Poem is in English, what BOILEAU's Lutrin is in French. It is based upon an incident in real life; and the characters in it are BELINDA, Mrs. ARABELLA FERMOR. The Baron, Lord PETRE. THALESTRIS, Mrs. MORLEY. CLARISSA. While there is much fun and burlesque pomposity in the Poem, it contains not a few exquisitely musical lines; and, in other respects, carries out the principles of writing verse that POPE has laid down on the preceding page. It is also a sufficiently acid banter of the Fair Sex; so that Lady WINCHILSEA, at page 111, advises POPE to 'soothe the Ladies!' THE RAPE OF THE LOCK. AN HEROI-COMICAL POEM IN FIVE CANTOS. A tonso est hoc nomen adepta capillo.—OVID. CANTO I. WHAT dire offence, from am'rous causes springs, What mighty quarrels rise from trivial things; I sing! This Verse to CARYL, Muse! is due! This, ev'n BELINDA may vouchsafe to view! Slight is the subject; but not so the praise, If she inspire, and he approve, my Lays! Say, what strange motive, Goddess! could compel A well-bred Lord t' assault a gentle Belle? O, say, what stranger cause, yet unexplored, Could make a gentle Belle reject a Lord? And dwells such rage in softest bosoms then? And lodge such daring souls in little men? Sol, through white curtains, did his beams display; And oped those eyes, which brighter shine than they. Now Shock had given himself the rousing shake; And Nymphs prepared their chocolate to take. Thrice the wrought slipper knocked against the ground; And striking watches the tenth hour resound. BELINDA still her downy pillow prest: Her guardian Sylph prolonged the balmy rest. If e'er one vision touched thy infant thought Or Virgins visited by Angel Powers, With golden crowns and wreaths of heavenly flowers; Hear, and believe! Thy own importance know; 'Know then, unnumbered Spirits round thee fly! The light Militia of the lower sky! These, though unseen, are ever on the wing, 'Think not, when Woman's transient breath is fled, That all her vanities at once are dead! Succeeding vanities she still regards; And, though she plays no more, o'erlooks the cards! Her joy in gilded Chariots, when alive, And love of Ombre, after death survive! ་ For when the Fair in all their pride expire, To their first Elements the souls retire! The Sprights of fiery termagants in flame The light Coquettes in Sylphs aloft repair, 'Know farther yet, Whoever fair and chaste 'Some Nymphs there are, too conscious of their face, For life predestined to the Gnomes' embrace : Who swell their prospects, and exalt their pride; When offers are disdained, and love denied. Then, gay ideas crowd the vacant brain, While Peers and Dukes, and all their sweeping Train, And, in soft sounds, "Your Grace!" salutes their ear. 'Oft when the World imagine women stray, The Sylphs through mystic mazes guide their way! Through all the giddy circle they pursue, And old impertinence expel by new! What tender Maid but must a victim fall They shift the moving Toyshop of their heart; Where wigs with wigs, with sword-knots, sword-knots strive; Beaus banish Beaus; and coaches, coaches drive. O, blind to Truth! The Sylphs contrive it all! I saw, alas! some dread event impend, Ere to the Main this morning's sun descend! He said: when Shock, who thought she slept too long, Leapt up, and waked his Mistress with his tongue. 'Twas then, BELINDA! if report say true, Thy eyes first opened on a billet-doux. Wounds, charms, and ardours were no sooner read But all the vision vanished from thy head! |