CANTO III. THE FATAL PASSION. Now why must I disturb a dream of bliss, The weeping days that with the morning rose, Some likeness was there 'twixt the two,-an air At times, a cheek, a colour of the hair, A tone, when speaking of indifferent things; That of the two, Giovanni was the graver, Paulo the livelier, and the more in favour. Some tastes there were indeed, that would prefer Giovanni's countenance as the martialler; And 'twas a soldier's truly, if an eye Ardent and cool at once, drawn-back and high, An eagle's nose and a determined lip, Paulo's was fashioned in a different mould, And surely the more fine: for though 'twas bold, When boldness was required, and could put on A glowing frown as if an angel shone, Yet there was nothing in it one might call A stamp exclusive or professional,— No courtier's face, and yet its smile was ready,— No soldier's, for its power was all of mind, Too true for violence, and too refined. The very nose, lightly yet firmly wrought, Shewed taste; the forehead a clear-spirited thought; Wisdom looked sweet and inward from his eye; It was a face, in short, seemed made to shew Something, that baffled looks of loftier feature,— If any points there were, at which they came |