A Companion to Dada and Surrealism

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David Hopkins
John Wiley & Sons, 10 mai 2016 - 496 pagini
This excellent overview of new research on Dada and Surrealism blends expert synthesis of the latest scholarship with completely new research, offering historical coverage as well as in-depth discussion of thematic areas ranging from criminality to gender.
  • This book provides an excellent overview of new research on Dada and Surrealism from some of the finest established and up-and-coming scholars in the field
  • Offers historical coverage as well as in–depth discussion of thematic areas ranging from criminality to gender
  • One of the first studies to produce global coverage of the two movements, it also includes a section dealing with the critical and cultural aftermath of Dada and Surrealism in the later twentieth century
  • Dada and Surrealism are arguably the most popular areas of modern art, both in the academic and public spheres
 

Cuprins

List of Figures
8
Acknowledgments xvii
17
Zurich
21
A Case Study in Berlin Dada
38
Definition Dispersal and the Case of Schwitters
54
From End to Beginning
70
Paris Dada into Surrealism
89
Surrealism and the Question of Politics 19251939
110
Genealogies of
242
CrimeInsurrection
258
Nature and the Marvelous
287
Ghosts in the Laboratory
304
The Ethnographic Turn
319
Violence Body Machine
334
DadaSurrealism and Sexual
352
Revising the Canon
366

Center and Periphery in International Perspective
131
Dada and Surrealism in Japan
144
Dada and Surrealism in Central and Eastern Europe
161
Surrealism in Latin America
177
Themes and Interpretations
197
Dada and Surrealist Exhibition Practices
211
Dada and Surrealist Poetics
225
ContinuationsAftermaths
383
Dada Surrealism and their Heritage? The North American
400
Surrealism and Counterculture
416
Objects Commodities Fashion
431
Surrealist Idiolect Gothic Marxism Global Perils
449
Index
464
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Despre autor (2016)

David Hopkins is Professor of Art History at the University of Glasgow. An acknowledged expert on Dada and Surrealism, he has published widely on these movements, and on artists such as Marcel Duchamp and Max Ernst. His books include Marcel Duchamp and Max Ernst: The Bride Shared (1998) and Dada’s Boys: Masculinity After Duchamp (2007). He is also author of the bestselling short guide to the subject, Dada and Surrealism: A Short Introduction (2004).

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