A Companion to Dada and SurrealismDavid Hopkins John Wiley & Sons, 10 mai 2016 - 496 pagini This excellent overview of new research on Dada and Surrealism blends expert synthesis of the latest scholarship with completely new research, offering historical coverage as well as in-depth discussion of thematic areas ranging from criminality to gender.
|
Cuprins
List of Figures | 8 |
Acknowledgments xvii | 17 |
Zurich | 21 |
A Case Study in Berlin Dada | 38 |
Definition Dispersal and the Case of Schwitters | 54 |
From End to Beginning | 70 |
Paris Dada into Surrealism | 89 |
Surrealism and the Question of Politics 19251939 | 110 |
Genealogies of | 242 |
CrimeInsurrection | 258 |
Nature and the Marvelous | 287 |
Ghosts in the Laboratory | 304 |
The Ethnographic Turn | 319 |
Violence Body Machine | 334 |
DadaSurrealism and Sexual | 352 |
Revising the Canon | 366 |
Center and Periphery in International Perspective | 131 |
Dada and Surrealism in Japan | 144 |
Dada and Surrealism in Central and Eastern Europe | 161 |
Surrealism in Latin America | 177 |
Themes and Interpretations | 197 |
Dada and Surrealist Exhibition Practices | 211 |
Dada and Surrealist Poetics | 225 |
ContinuationsAftermaths | 383 |
Dada Surrealism and their Heritage? The North American | 400 |
Surrealism and Counterculture | 416 |
Objects Commodities Fashion | 431 |
Surrealist Idiolect Gothic Marxism Global Perils | 449 |
464 | |
Alte ediții - Afișează-le pe toate
Termeni și expresii frecvente
activity aesthetic America André appeared Aragon artists associated automatism avant‐garde Ball become Berlin body Breton called century Chapter collective contemporary context continued critical cultural Dada and Surrealism dadaists described desire developed Documents dream Duchamp early edited essay established European example exhibition experience expression figure France French Gallery German idea images important individual interest issue John journal language later letter London magazine Manifesto Marcel Marxism material means movement Museum nature notes objects opening organized original painting Paris particular performance period photographs Picabia play poems poet poetic poetry political position practice present produced published recent reference relation revolutionary Sade Schwitters seen sense sexual significant social suggests surrealist surrealist group texts things tion translated turn Tzara University Press visual women writing York Zurich