Some Shakespearean Themes1960 |
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Pagina 9
... tragedies , and to see the tragedies themselves as in some sense the resolution of pressures and perplexities to be found in the plays that precede them . The procedure is almost inevitably highly selective ; most of the plays before ...
... tragedies , and to see the tragedies themselves as in some sense the resolution of pressures and perplexities to be found in the plays that precede them . The procedure is almost inevitably highly selective ; most of the plays before ...
Pagina 92
... tragedies , corresponding to equally marked differences of intention . Thus Othello , although a poetic drama , of which the success is determined by specifically poetic effects of language and symbolism , comes closer than any of the ...
... tragedies , corresponding to equally marked differences of intention . Thus Othello , although a poetic drama , of which the success is determined by specifically poetic effects of language and symbolism , comes closer than any of the ...
Pagina 120
... tragedies , is in strictly poetic and dramatic terms . It is certainly not an abstract formulation , but lies rather in the drawing out of necessary consequences and implications of that lust both in the external and the spiritual ...
... tragedies , is in strictly poetic and dramatic terms . It is certainly not an abstract formulation , but lies rather in the drawing out of necessary consequences and implications of that lust both in the external and the spiritual ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
Achilles action Antony and Cleopatra appearance Arden edition aspects aware Bardolph CHAPTER character comedy consciousness Cordelia Coriolanus course criticism death defined doth dramatic earlier plays Edmund Elizabethan embodied essay evil evoked experience F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek hath heart Henry VI honour human nature I. A. Richards imagery images imaginative insistence interest irony kind King Henry King Lear Lear's lines living Macbeth man's meaning mind moral murder Nature's passage passion pattern peace philosophic phrase play's poet poetic poetry political present public world question realism reality Regan relation revealed Richard scene seems sense Shake Shakespeare significance simply Sonnets speak speech suggestion T. S. Eliot thee themes things thou thought time's tion tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural vision Wheel of Fire whole Wilson Knight words