Some Shakespearean Themes1960 |
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Pagina 27
... taken to be the mood of a play . In Richard III Clarence's dream stands out from what surrounds it not only because of the way in which it insists on the pains of conscience , but because , in more elusive ways , it points forward to ...
... taken to be the mood of a play . In Richard III Clarence's dream stands out from what surrounds it not only because of the way in which it insists on the pains of conscience , but because , in more elusive ways , it points forward to ...
Pagina 49
... taken as pointing forward to fundamental recognitions to be found in Shakespeare's later work . But in the sequence as a whole the assurance of love's ' unknown ' worth -It is the star to every wandering bark , Whose worth's unknown ...
... taken as pointing forward to fundamental recognitions to be found in Shakespeare's later work . But in the sequence as a whole the assurance of love's ' unknown ' worth -It is the star to every wandering bark , Whose worth's unknown ...
Pagina 163
... taken over from the chroniclers ( as later from Plutarch ) set limits and — to some extent - determined direction . But in art material is not simply ' taken over ' ; it only exists as treated ; and it seems clear that Shakespeare used ...
... taken over from the chroniclers ( as later from Plutarch ) set limits and — to some extent - determined direction . But in art material is not simply ' taken over ' ; it only exists as treated ; and it seems clear that Shakespeare used ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
Achilles action Antony and Cleopatra appearance Arden edition aspects aware Bardolph CHAPTER character comedy consciousness Cordelia Coriolanus course criticism death defined doth dramatic earlier plays Edmund Elizabethan embodied essay evil evoked experience F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek hath heart Henry VI honour human nature I. A. Richards imagery images imaginative insistence interest irony kind King Henry King Lear Lear's lines living Macbeth man's meaning mind moral murder Nature's passage passion pattern peace philosophic phrase play's poet poetic poetry political present public world question realism reality Regan relation revealed Richard scene seems sense Shake Shakespeare significance simply Sonnets speak speech suggestion T. S. Eliot thee themes things thou thought time's tion tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural vision Wheel of Fire whole Wilson Knight words