Some Shakespearean Themes1960 |
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Pagina 61
... speak -afraid of each other . Here , then , is one way in which the insistent elegiac note is both qualified and deepened . There is yet another . We have already noticed the repeated references to Falstaff's age and diseases . But it ...
... speak -afraid of each other . Here , then , is one way in which the insistent elegiac note is both qualified and deepened . There is yet another . We have already noticed the repeated references to Falstaff's age and diseases . But it ...
Pagina 66
... speak of Shakespeare's investigation of the world of appearance and the power of illusion ; but this is not an investigation proceeding from established positions to logical conclusions . Indeed in Troilus and Cressida , of which I now ...
... speak of Shakespeare's investigation of the world of appearance and the power of illusion ; but this is not an investigation proceeding from established positions to logical conclusions . Indeed in Troilus and Cressida , of which I now ...
Pagina 144
... speak most clearly its own name , make for life ? -life being understood not as ran- dom impulse but as power proceeding from an integrated personal centre , rational , clear - sighted and deeply respon- sive to all human claims . We ...
... speak most clearly its own name , make for life ? -life being understood not as ran- dom impulse but as power proceeding from an integrated personal centre , rational , clear - sighted and deeply respon- sive to all human claims . We ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
Achilles action Antony and Cleopatra appearance Arden edition aspects aware Bardolph CHAPTER character comedy consciousness Cordelia Coriolanus course criticism death defined doth dramatic earlier plays Edmund Elizabethan embodied essay evil evoked experience F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek hath heart Henry VI honour human nature I. A. Richards imagery images imaginative insistence interest irony kind King Henry King Lear Lear's lines living Macbeth man's meaning mind moral murder Nature's passage passion pattern peace philosophic phrase play's poet poetic poetry political present public world question realism reality Regan relation revealed Richard scene seems sense Shake Shakespeare significance simply Sonnets speak speech suggestion T. S. Eliot thee themes things thou thought time's tion tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural vision Wheel of Fire whole Wilson Knight words