Some Shakespearean Themes1960 |
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Pagina 22
... realism inhibited ( for me at all events ) any but the crudest response . When Hamlet rejected Ophelia ( knocked her down in fact ) , the camera's insistence on that slim sobbing figure on the stairs produced a lump in the throat that ...
... realism inhibited ( for me at all events ) any but the crudest response . When Hamlet rejected Ophelia ( knocked her down in fact ) , the camera's insistence on that slim sobbing figure on the stairs produced a lump in the throat that ...
Pagina 27
... realist ' is oblivious . Of these disturbing depths Shakespeare , being a poet , became more and more aware . Even in the early plays , where an increasing realism in its simplest sense is the most obvious sign of a fast developing ...
... realist ' is oblivious . Of these disturbing depths Shakespeare , being a poet , became more and more aware . Even in the early plays , where an increasing realism in its simplest sense is the most obvious sign of a fast developing ...
Pagina 38
... realism through the eyes of the Bastard . In the plays that follow , Shakespeare was to find subtler means of expressing and enforcing judgment on the presented action ; and he was never again to sum up with the simple obviousness of ...
... realism through the eyes of the Bastard . In the plays that follow , Shakespeare was to find subtler means of expressing and enforcing judgment on the presented action ; and he was never again to sum up with the simple obviousness of ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
Achilles action Antony and Cleopatra appearance Arden edition aspects aware Bardolph CHAPTER character comedy consciousness Cordelia Coriolanus course criticism death defined doth dramatic earlier plays Edmund Elizabethan embodied essay evil evoked experience F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek hath heart Henry VI honour human nature I. A. Richards imagery images imaginative insistence interest irony kind King Henry King Lear Lear's lines living Macbeth man's meaning mind moral murder Nature's passage passion pattern peace philosophic phrase play's poet poetic poetry political present public world question realism reality Regan relation revealed Richard scene seems sense Shake Shakespeare significance simply Sonnets speak speech suggestion T. S. Eliot thee themes things thou thought time's tion tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural vision Wheel of Fire whole Wilson Knight words