Some Shakespearean Themes1960 |
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Pagina 80
... possible to consider this poetry dispassionately . The powerful varied rhythms , the marked transition from the quasi - logical manner of the opening to the muscular and vividly sensory imagery of the close , the impossibility of ...
... possible to consider this poetry dispassionately . The powerful varied rhythms , the marked transition from the quasi - logical manner of the opening to the muscular and vividly sensory imagery of the close , the impossibility of ...
Pagina 81
L.C. Knights. It is possible to paraphrase this — though not without attempting to combine alternative readings . But I do not think anyone can make a determined effort to bring to a single focus the various senses of the last two and a ...
L.C. Knights. It is possible to paraphrase this — though not without attempting to combine alternative readings . But I do not think anyone can make a determined effort to bring to a single focus the various senses of the last two and a ...
Pagina 117
... possible juxta- position of rival conceptions of ' Nature ' . In the Edmund- Goneril - Regan group the philosophy of natural impulse and egotism has been revealed as self - consuming , its claim to represent strength as a self - bred ...
... possible juxta- position of rival conceptions of ' Nature ' . In the Edmund- Goneril - Regan group the philosophy of natural impulse and egotism has been revealed as self - consuming , its claim to represent strength as a self - bred ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
Achilles action Antony and Cleopatra appearance Arden edition aspects aware Bardolph CHAPTER character comedy consciousness Cordelia Coriolanus course criticism death defined doth dramatic earlier plays Edmund Elizabethan embodied essay evil evoked experience F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek hath heart Henry VI honour human nature I. A. Richards imagery images imaginative insistence interest irony kind King Henry King Lear Lear's lines living Macbeth man's meaning mind moral murder Nature's passage passion pattern peace philosophic phrase play's poet poetic poetry political present public world question realism reality Regan relation revealed Richard scene seems sense Shake Shakespeare significance simply Sonnets speak speech suggestion T. S. Eliot thee themes things thou thought time's tion tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural vision Wheel of Fire whole Wilson Knight words