Some Shakespearean Themes |
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Pagina 80
But it is hardly possible to consider this poetry dispassionately . The powerful varied rhythms , the marked transition from the quasi - logical manner of the opening to the muscular and vividly sensory imagery of the close ...
But it is hardly possible to consider this poetry dispassionately . The powerful varied rhythms , the marked transition from the quasi - logical manner of the opening to the muscular and vividly sensory imagery of the close ...
Pagina 107
The question is whether what we have here is a weary subsidence into the only wisdom that is ultimately possible , or whether , although representing an extreme point of weariness and denial , it masks the possibility of some genuine ...
The question is whether what we have here is a weary subsidence into the only wisdom that is ultimately possible , or whether , although representing an extreme point of weariness and denial , it masks the possibility of some genuine ...
Pagina 117
The imaginative discovery that is the play's essence has thus involved the sharpest possible juxta- position of rival conceptions of ' Nature ' . In the Edmund- Goneril - Regan group the philosophy of natural impulse and egotism has ...
The imaginative discovery that is the play's essence has thus involved the sharpest possible juxta- position of rival conceptions of ' Nature ' . In the Edmund- Goneril - Regan group the philosophy of natural impulse and egotism has ...
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Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action answer Antony appearance aspects aware brings CHAPTER character close comes concerned consciousness Cordelia course criticism death defined direction directly doth effect element Elizabethan essay essential evil experience expressed fact feel final follow Fool force give given Gloucester hand hath heart Henry honour human imagery images imaginative insistence interest John kind King Lear Lear's less lies lines living look Macbeth meaning merely mind moral murder nature particular passage pattern peace phrase play poet poetry political possible present question reality reason references relation represent revealed scene seems seen sense Shakespeare shows significance simply Sonnets speak speech stand suggestion themes things thou thought tion tragedies Troilus true truth Ulysses values vision whole