Some Shakespearean Themes1960 |
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Pagina 47
... poet in a meditation of a very different kind . Here , then , is Sonnet CII , which deals with the relationship of poet and patron , followed by Sonnet LX , which is one of many whose ostensible purpose is to promise a poetic ...
... poet in a meditation of a very different kind . Here , then , is Sonnet CII , which deals with the relationship of poet and patron , followed by Sonnet LX , which is one of many whose ostensible purpose is to promise a poetic ...
Pagina 157
... poet , without being at the same time a profound philosopher ' , claimed that Shakespeare was ' the guide and the pioneer of true philosophy ' . It is a large claim , for clearly Shakespeare is not a philosophic poet in the sense in ...
... poet , without being at the same time a profound philosopher ' , claimed that Shakespeare was ' the guide and the pioneer of true philosophy ' . It is a large claim , for clearly Shakespeare is not a philosophic poet in the sense in ...
Pagina 160
... poet cannot create characters of the greatest intensity of life unless his personages , in their reciprocal actions and ... poetic drama . 3. In Joseph Quincy Adams : Memorial Studies , ed . J. G. McManaway and others ( The Folger ...
... poet cannot create characters of the greatest intensity of life unless his personages , in their reciprocal actions and ... poetic drama . 3. In Joseph Quincy Adams : Memorial Studies , ed . J. G. McManaway and others ( The Folger ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
Achilles action Antony and Cleopatra appearance Arden edition aspects aware Bardolph CHAPTER character comedy consciousness Cordelia Coriolanus course criticism death defined doth dramatic earlier plays Edmund Elizabethan embodied essay evil evoked experience F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek hath heart Henry VI honour human nature I. A. Richards imagery images imaginative insistence interest irony kind King Henry King Lear Lear's lines living Macbeth man's meaning mind moral murder Nature's passage passion pattern peace philosophic phrase play's poet poetic poetry political present public world question realism reality Regan relation revealed Richard scene seems sense Shake Shakespeare significance simply Sonnets speak speech suggestion T. S. Eliot thee themes things thou thought time's tion tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural vision Wheel of Fire whole Wilson Knight words