Some Shakespearean Themes1960 |
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Pagina 9
... play he chose to present one kind of person , one kind of plot , rather than another because in that way he could best express his sense of life's mean- ings . As M. Fluchère has said , From play to play . . . the themes become more and ...
... play he chose to present one kind of person , one kind of plot , rather than another because in that way he could best express his sense of life's mean- ings . As M. Fluchère has said , From play to play . . . the themes become more and ...
Pagina 38
... play as a whole is anything but a simple patriotic play ; nor is it merely a play about past history ; it is a play about international politics , which are seen with com- plete realism through the eyes of the Bastard . In the plays ...
... play as a whole is anything but a simple patriotic play ; nor is it merely a play about past history ; it is a play about international politics , which are seen with com- plete realism through the eyes of the Bastard . In the plays ...
Pagina 168
... play is not peculiar in this . Where it is peculiar is in the formal debating of the issues , and in the deliberate reference of certain characters , outside the frame- work of the play , to their known characteristics in legend . 4. As ...
... play is not peculiar in this . Where it is peculiar is in the formal debating of the issues , and in the deliberate reference of certain characters , outside the frame- work of the play , to their known characteristics in legend . 4. As ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
Achilles action Antony and Cleopatra appearance Arden edition aspects aware Bardolph CHAPTER character comedy consciousness Cordelia Coriolanus course criticism death defined doth dramatic earlier plays Edmund Elizabethan embodied essay evil evoked experience F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek hath heart Henry VI honour human nature I. A. Richards imagery images imaginative insistence interest irony kind King Henry King Lear Lear's lines living Macbeth man's meaning mind moral murder Nature's passage passion pattern peace philosophic phrase play's poet poetic poetry political present public world question realism reality Regan relation revealed Richard scene seems sense Shake Shakespeare significance simply Sonnets speak speech suggestion T. S. Eliot thee themes things thou thought time's tion tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural vision Wheel of Fire whole Wilson Knight words