Some Shakespearean Themes1960 |
Din interiorul cărții
Rezultatele 1 - 3 din 35
Pagina 9
... kind of person , one kind of plot , rather than another because in that way he could best express his sense of life's mean- ings . As M. Fluchère has said , From play to play . . . the themes become more and more closely associated with ...
... kind of person , one kind of plot , rather than another because in that way he could best express his sense of life's mean- ings . As M. Fluchère has said , From play to play . . . the themes become more and more closely associated with ...
Pagina 18
... kind of attention that its poetry demands is qualitatively different from the kind of attention demanded by the poetry of Macbeth . And the level at which mean- ings take place in poetry is determined by the kind and degree of activity ...
... kind of attention that its poetry demands is qualitatively different from the kind of attention demanded by the poetry of Macbeth . And the level at which mean- ings take place in poetry is determined by the kind and degree of activity ...
Pagina 163
... kind with kind confound ... O , if you raise this house against this house , It will the woefullest division prove That ever fell upon this cursed earth . . . ( IV . i . 139-47 ) and by Richard himself ( addressing Northumberland ) ...
... kind with kind confound ... O , if you raise this house against this house , It will the woefullest division prove That ever fell upon this cursed earth . . . ( IV . i . 139-47 ) and by Richard himself ( addressing Northumberland ) ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
5 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
Achilles action Antony and Cleopatra appearance Arden edition aspects aware Bardolph CHAPTER character comedy consciousness Cordelia Coriolanus course criticism death defined doth dramatic earlier plays Edmund Elizabethan embodied essay evil evoked experience F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek hath heart Henry VI honour human nature I. A. Richards imagery images imaginative insistence interest irony kind King Henry King Lear Lear's lines living Macbeth man's meaning mind moral murder Nature's passage passion pattern peace philosophic phrase play's poet poetic poetry political present public world question realism reality Regan relation revealed Richard scene seems sense Shake Shakespeare significance simply Sonnets speak speech suggestion T. S. Eliot thee themes things thou thought time's tion tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural vision Wheel of Fire whole Wilson Knight words