Some Shakespearean Themes1960 |
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Pagina 53
... insistence . Now just as the comedy of the first meeting of the conspirators in Part I was in keeping with the Falstaffian mode that so largely determined the tone of that play , so this scene is attuned to the appearance of a Falstaff ...
... insistence . Now just as the comedy of the first meeting of the conspirators in Part I was in keeping with the Falstaffian mode that so largely determined the tone of that play , so this scene is attuned to the appearance of a Falstaff ...
Pagina 145
... insistence ( in the opening of 1. ii , for example ) , and of something practised in ( to borrow a phrase from North ) the ' flickering enticements of Cleopatra unto Antonius ' . On the other hand , what Shakespeare infused into the ...
... insistence ( in the opening of 1. ii , for example ) , and of something practised in ( to borrow a phrase from North ) the ' flickering enticements of Cleopatra unto Antonius ' . On the other hand , what Shakespeare infused into the ...
Pagina 165
... insistence on the way in which the Sonnets are permeated with the great central concerns of the age ( cf. pp . 166- 167 and p . 276 ) , from his description of the quasi - dramatic function of the imagery ( p . 168 ) , from his account ...
... insistence on the way in which the Sonnets are permeated with the great central concerns of the age ( cf. pp . 166- 167 and p . 276 ) , from his description of the quasi - dramatic function of the imagery ( p . 168 ) , from his account ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
Achilles action Antony and Cleopatra appearance Arden edition aspects aware Bardolph CHAPTER character comedy consciousness Cordelia Coriolanus course criticism death defined doth dramatic earlier plays Edmund Elizabethan embodied essay evil evoked experience F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek hath heart Henry VI honour human nature I. A. Richards imagery images imaginative insistence interest irony kind King Henry King Lear Lear's lines living Macbeth man's meaning mind moral murder Nature's passage passion pattern peace philosophic phrase play's poet poetic poetry political present public world question realism reality Regan relation revealed Richard scene seems sense Shake Shakespeare significance simply Sonnets speak speech suggestion T. S. Eliot thee themes things thou thought time's tion tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural vision Wheel of Fire whole Wilson Knight words