Some Shakespearean Themes1960 |
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Pagina 31
... hand . In Henry VI Shakespeare uses more than one style , but the following , from the Second Part ( II . vi ) , is ... hands I have deserved no pity . We have only to put beside this a passage from the open- ing soliloquy of Richard III ...
... hand . In Henry VI Shakespeare uses more than one style , but the following , from the Second Part ( II . vi ) , is ... hands I have deserved no pity . We have only to put beside this a passage from the open- ing soliloquy of Richard III ...
Pagina 34
... hand which had the strength , even at your door , To cudgel you and make you take the hatch , To dive like buckets in concealed wells , To crouch in litter of your stable planks , To lie like pawns lock'd up in chests and trunks , To ...
... hand which had the strength , even at your door , To cudgel you and make you take the hatch , To dive like buckets in concealed wells , To crouch in litter of your stable planks , To lie like pawns lock'd up in chests and trunks , To ...
Pagina 88
... hand that could be used effectively even when the complex philosophical implications were not immediately present . There is a fine passage in Ben Jonson's The Staple of News ( 1626 ) that illustrates this . They covet things ...
... hand that could be used effectively even when the complex philosophical implications were not immediately present . There is a fine passage in Ben Jonson's The Staple of News ( 1626 ) that illustrates this . They covet things ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
Achilles action Antony and Cleopatra appearance Arden edition aspects aware Bardolph CHAPTER character comedy consciousness Cordelia Coriolanus course criticism death defined doth dramatic earlier plays Edmund Elizabethan embodied essay evil evoked experience F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek hath heart Henry VI honour human nature I. A. Richards imagery images imaginative insistence interest irony kind King Henry King Lear Lear's lines living Macbeth man's meaning mind moral murder Nature's passage passion pattern peace philosophic phrase play's poet poetic poetry political present public world question realism reality Regan relation revealed Richard scene seems sense Shake Shakespeare significance simply Sonnets speak speech suggestion T. S. Eliot thee themes things thou thought time's tion tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural vision Wheel of Fire whole Wilson Knight words