Some Shakespearean Themes |
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Pagina 73
Where one but goes abreast : keep then the path ; For emulation hath a thousand sons That one by one pursue : if you give way , Or hedge aside from the direct forthright , Like to an enter'd tide they all rush by And leave you hindmost ...
Where one but goes abreast : keep then the path ; For emulation hath a thousand sons That one by one pursue : if you give way , Or hedge aside from the direct forthright , Like to an enter'd tide they all rush by And leave you hindmost ...
Pagina 107
since it is virtually on this note ( after a momentary return to a futile fantasy of revenge ) that Lear gives way com- pletely , sleeps , and is carried to Cordelia . The question is whether what we have here is a weary subsidence into ...
since it is virtually on this note ( after a momentary return to a futile fantasy of revenge ) that Lear gives way com- pletely , sleeps , and is carried to Cordelia . The question is whether what we have here is a weary subsidence into ...
Pagina 150
There is now an assured grasp of those positive values that alone give significance to conflict ; the play is a tragedy , not a satire . And the verse , close packed and flexible , has that power of compressed definition that we ...
There is now an assured grasp of those positive values that alone give significance to conflict ; the play is a tragedy , not a satire . And the verse , close packed and flexible , has that power of compressed definition that we ...
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Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action answer Antony appearance aspects aware brings CHAPTER character close comes concerned consciousness Cordelia course criticism death defined direction directly doth effect element Elizabethan essay essential evil experience expressed fact feel final follow Fool force give given Gloucester hand hath heart Henry honour human imagery images imaginative insistence interest John kind King Lear Lear's less lies lines living look Macbeth meaning merely mind moral murder nature particular passage pattern peace phrase play poet poetry political possible present question reality reason references relation represent revealed scene seems seen sense Shakespeare shows significance simply Sonnets speak speech stand suggestion themes things thou thought tion tragedies Troilus true truth Ulysses values vision whole