Some Shakespearean Themes1960 |
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Pagina 73
... give way , Or hedge aside from the direct forthright , Like to an enter'd tide they all rush by And leave you hindmost ; Or , like a gallant horse fall'n in first rank , Lie there for pavement to the abject rear , O'errun and trampled ...
... give way , Or hedge aside from the direct forthright , Like to an enter'd tide they all rush by And leave you hindmost ; Or , like a gallant horse fall'n in first rank , Lie there for pavement to the abject rear , O'errun and trampled ...
Pagina 107
... gives way com- pletely , sleeps , and is carried to Cordelia . The question is whether what we have here is a weary ... give us our bearings . It is commonly recognized that just as Lear finds ' reason in madness ' ( IV . vi . 177 ) so ...
... gives way com- pletely , sleeps , and is carried to Cordelia . The question is whether what we have here is a weary ... give us our bearings . It is commonly recognized that just as Lear finds ' reason in madness ' ( IV . vi . 177 ) so ...
Pagina 150
... give significance to conflict ; the play is a tragedy , not a satire . And the verse , close packed and flexible ... gives his name , but the protagonist is Rome , the city [ 6 ] . It is a city divided against itself , and the first ...
... give significance to conflict ; the play is a tragedy , not a satire . And the verse , close packed and flexible ... gives his name , but the protagonist is Rome , the city [ 6 ] . It is a city divided against itself , and the first ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
Achilles action Antony and Cleopatra appearance Arden edition aspects aware Bardolph CHAPTER character comedy consciousness Cordelia Coriolanus course criticism death defined doth dramatic earlier plays Edmund Elizabethan embodied essay evil evoked experience F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek hath heart Henry VI honour human nature I. A. Richards imagery images imaginative insistence interest irony kind King Henry King Lear Lear's lines living Macbeth man's meaning mind moral murder Nature's passage passion pattern peace philosophic phrase play's poet poetic poetry political present public world question realism reality Regan relation revealed Richard scene seems sense Shake Shakespeare significance simply Sonnets speak speech suggestion T. S. Eliot thee themes things thou thought time's tion tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural vision Wheel of Fire whole Wilson Knight words