Some Shakespearean Themes |
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Pagina 122
Well before the end of the first act we are in possession not only of the positive values against which the Macbeth evil will be defined but of the related aspects of that evil , which is simultaneously felt as a strained and unnatural ...
Well before the end of the first act we are in possession not only of the positive values against which the Macbeth evil will be defined but of the related aspects of that evil , which is simultaneously felt as a strained and unnatural ...
Pagina 178
It is of course common for good and evil to be compared respectively to beneficent and harmful or unpleasant aspects of nature , as we might speak of bounty as a harvest or miserliness as a black frost . But in Macbeth analogies for ...
It is of course common for good and evil to be compared respectively to beneficent and harmful or unpleasant aspects of nature , as we might speak of bounty as a harvest or miserliness as a black frost . But in Macbeth analogies for ...
Pagina 181
No evil passion pursued to the end , ' says Berdyaev , ' has any positive content . All evil consumes itself . Its nothingness is laid bare by its own inner course of development . Evil is the sphere of phantasy ( an idea admirably ...
No evil passion pursued to the end , ' says Berdyaev , ' has any positive content . All evil consumes itself . Its nothingness is laid bare by its own inner course of development . Evil is the sphere of phantasy ( an idea admirably ...
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Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action answer Antony appearance aspects aware brings CHAPTER character close comes concerned consciousness Cordelia course criticism death defined direction directly doth effect element Elizabethan essay essential evil experience expressed fact feel final follow Fool force give given Gloucester hand hath heart Henry honour human imagery images imaginative insistence interest John kind King Lear Lear's less lies lines living look Macbeth meaning merely mind moral murder nature particular passage pattern peace phrase play poet poetry political possible present question reality reason references relation represent revealed scene seems seen sense Shakespeare shows significance simply Sonnets speak speech stand suggestion themes things thou thought tion tragedies Troilus true truth Ulysses values vision whole