Some Shakespearean Themes1960 |
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Pagina 19
... embodied in the different persons of the drama — it is only in relation to this total meaning that the imagery , or any other com- ponent that may be momentarily isolated , takes on its full significance . We only hear Shakespeare's ...
... embodied in the different persons of the drama — it is only in relation to this total meaning that the imagery , or any other com- ponent that may be momentarily isolated , takes on its full significance . We only hear Shakespeare's ...
Pagina 107
... embodied in Lear , but they belong to two quite different aspects of Shakespeare's wide- embracing dramatic technique . The Gloucester sub - plot is plainly ' a device of intensification ' [ 18 ] , and the progress of Gloucester himself ...
... embodied in Lear , but they belong to two quite different aspects of Shakespeare's wide- embracing dramatic technique . The Gloucester sub - plot is plainly ' a device of intensification ' [ 18 ] , and the progress of Gloucester himself ...
Pagina 166
... embody is the more assured because , sub- jected to a keener testing , it takes up into itself doubts and questionings that are all but overwhelming . But anticipation of what is still to come there certainly is in the Sonnets ( indeed ...
... embody is the more assured because , sub- jected to a keener testing , it takes up into itself doubts and questionings that are all but overwhelming . But anticipation of what is still to come there certainly is in the Sonnets ( indeed ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
Achilles action Antony and Cleopatra appearance Arden edition aspects aware Bardolph CHAPTER character comedy consciousness Cordelia Coriolanus course criticism death defined doth dramatic earlier plays Edmund Elizabethan embodied essay evil evoked experience F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek hath heart Henry VI honour human nature I. A. Richards imagery images imaginative insistence interest irony kind King Henry King Lear Lear's lines living Macbeth man's meaning mind moral murder Nature's passage passion pattern peace philosophic phrase play's poet poetic poetry political present public world question realism reality Regan relation revealed Richard scene seems sense Shake Shakespeare significance simply Sonnets speak speech suggestion T. S. Eliot thee themes things thou thought time's tion tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural vision Wheel of Fire whole Wilson Knight words