Some Shakespearean Themes1960 |
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Pagina 63
... , is markedly a transitional play . It looks back to the Sonnets and the earlier history plays , and it looks forward to the great tragedies . In technique too we are beginning to find that more complete permea- 63 TIME'S SUBJECTS.
... , is markedly a transitional play . It looks back to the Sonnets and the earlier history plays , and it looks forward to the great tragedies . In technique too we are beginning to find that more complete permea- 63 TIME'S SUBJECTS.
Pagina 84
... earlier plays be brought into full consciousness and confronted at the deepest level of significance . For these ... play's essential significance as I see it . But before passing from the one to the other , and as a convenient way of ...
... earlier plays be brought into full consciousness and confronted at the deepest level of significance . For these ... play's essential significance as I see it . But before passing from the one to the other , and as a convenient way of ...
Pagina 150
... earlier plays , it could only have been written after King Lear and Macbeth . There is now an assured grasp of those positive values that alone give significance to conflict ; the play is a tragedy , not a satire . And the verse , close ...
... earlier plays , it could only have been written after King Lear and Macbeth . There is now an assured grasp of those positive values that alone give significance to conflict ; the play is a tragedy , not a satire . And the verse , close ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
Achilles action Antony and Cleopatra appearance Arden edition aspects aware Bardolph CHAPTER character comedy consciousness Cordelia Coriolanus course criticism death defined doth dramatic earlier plays Edmund Elizabethan embodied essay evil evoked experience F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek hath heart Henry VI honour human nature I. A. Richards imagery images imaginative insistence interest irony kind King Henry King Lear Lear's lines living Macbeth man's meaning mind moral murder Nature's passage passion pattern peace philosophic phrase play's poet poetic poetry political present public world question realism reality Regan relation revealed Richard scene seems sense Shake Shakespeare significance simply Sonnets speak speech suggestion T. S. Eliot thee themes things thou thought time's tion tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural vision Wheel of Fire whole Wilson Knight words