Some Shakespearean Themes1960 |
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Pagina 44
... direction of interest and the action is contrived for new purposes : there is a greater involvement of the dramatist in his fable . The meaning of that involvement will from now on be our main concern , and for that reason it seems ...
... direction of interest and the action is contrived for new purposes : there is a greater involvement of the dramatist in his fable . The meaning of that involvement will from now on be our main concern , and for that reason it seems ...
Pagina 62
... follow their noses are led by their eyes , or what it really means to be the fool of time . For the moment we are only concerned with the direction that his developing insight is taking ; and it seems to 62 SOME SHAKESPEAREAN THEMES.
... follow their noses are led by their eyes , or what it really means to be the fool of time . For the moment we are only concerned with the direction that his developing insight is taking ; and it seems to 62 SOME SHAKESPEAREAN THEMES.
Pagina 166
... direction of growth , cannot be effective until the challenge of negation has been faced more fully and the resolution worked out at even deeper levels . Indeed in Lear and the later plays there is no defiance , and the fundamental ...
... direction of growth , cannot be effective until the challenge of negation has been faced more fully and the resolution worked out at even deeper levels . Indeed in Lear and the later plays there is no defiance , and the fundamental ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
Achilles action Antony and Cleopatra appearance Arden edition aspects aware Bardolph CHAPTER character comedy consciousness Cordelia Coriolanus course criticism death defined doth dramatic earlier plays Edmund Elizabethan embodied essay evil evoked experience F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek hath heart Henry VI honour human nature I. A. Richards imagery images imaginative insistence interest irony kind King Henry King Lear Lear's lines living Macbeth man's meaning mind moral murder Nature's passage passion pattern peace philosophic phrase play's poet poetic poetry political present public world question realism reality Regan relation revealed Richard scene seems sense Shake Shakespeare significance simply Sonnets speak speech suggestion T. S. Eliot thee themes things thou thought time's tion tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural vision Wheel of Fire whole Wilson Knight words