Some Shakespearean Themes1960 |
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Pagina 49
... course why Time comes into the picture at all is that many of the sonnets are about ways of defeating him — getting married and having children , or writing immortal verse , or , best of all , loving so truly that Time can make no ...
... course why Time comes into the picture at all is that many of the sonnets are about ways of defeating him — getting married and having children , or writing immortal verse , or , best of all , loving so truly that Time can make no ...
Pagina 55
... course of the play , disappointed . Since there is no close poetic texture lengthy quotation is unnecessary , but it is worth remarking how often the pattern of hope and disappointment is repeated . Hotspur at Shrewsbury -so we are ...
... course of the play , disappointed . Since there is no close poetic texture lengthy quotation is unnecessary , but it is worth remarking how often the pattern of hope and disappointment is repeated . Hotspur at Shrewsbury -so we are ...
Pagina 181
... course of development . Evil is the sphere of phantasy ( an idea admirably developed by St Athanasius the Great ) . Evil is evil not because it is forbidden but because it is non - being .'- Freedom and the Spirit , p . 183. The same ...
... course of development . Evil is the sphere of phantasy ( an idea admirably developed by St Athanasius the Great ) . Evil is evil not because it is forbidden but because it is non - being .'- Freedom and the Spirit , p . 183. The same ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
Achilles action Antony and Cleopatra appearance Arden edition aspects aware Bardolph CHAPTER character comedy consciousness Cordelia Coriolanus course criticism death defined doth dramatic earlier plays Edmund Elizabethan embodied essay evil evoked experience F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek hath heart Henry VI honour human nature I. A. Richards imagery images imaginative insistence interest irony kind King Henry King Lear Lear's lines living Macbeth man's meaning mind moral murder Nature's passage passion pattern peace philosophic phrase play's poet poetic poetry political present public world question realism reality Regan relation revealed Richard scene seems sense Shake Shakespeare significance simply Sonnets speak speech suggestion T. S. Eliot thee themes things thou thought time's tion tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural vision Wheel of Fire whole Wilson Knight words