Some Shakespearean Themes1960 |
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Pagina 84
... consciousness and confronted at the deepest level of significance . For these reasons King Lear has the three characteristics of the very greatest works of art : it is timeless and universal ; it has a crucial place in its author's ...
... consciousness and confronted at the deepest level of significance . For these reasons King Lear has the three characteristics of the very greatest works of art : it is timeless and universal ; it has a crucial place in its author's ...
Pagina 92
... consciousness of Lear ; and the consciousness of Lear is part of the consciousness of human kind . There is the same density of effect through- out . One character echoes another : the blinding of Gloucester parallels the cruelty done ...
... consciousness of Lear ; and the consciousness of Lear is part of the consciousness of human kind . There is the same density of effect through- out . One character echoes another : the blinding of Gloucester parallels the cruelty done ...
Pagina 118
... consciousness but its heightening and fulfilment that is most insisted on in Edgar's strange phrase , ' Ripeness is ... conscious- ness ' : what he sees we are forced to see . But the question , ultimately , is not what Lear sees but ...
... consciousness but its heightening and fulfilment that is most insisted on in Edgar's strange phrase , ' Ripeness is ... conscious- ness ' : what he sees we are forced to see . But the question , ultimately , is not what Lear sees but ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
Achilles action Antony and Cleopatra appearance Arden edition aspects aware Bardolph CHAPTER character comedy consciousness Cordelia Coriolanus course criticism death defined doth dramatic earlier plays Edmund Elizabethan embodied essay evil evoked experience F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek hath heart Henry VI honour human nature I. A. Richards imagery images imaginative insistence interest irony kind King Henry King Lear Lear's lines living Macbeth man's meaning mind moral murder Nature's passage passion pattern peace philosophic phrase play's poet poetic poetry political present public world question realism reality Regan relation revealed Richard scene seems sense Shake Shakespeare significance simply Sonnets speak speech suggestion T. S. Eliot thee themes things thou thought time's tion tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural vision Wheel of Fire whole Wilson Knight words