Some Shakespearean Themes1960 |
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Pagina 29
... comedy of the scene is simple enough , but it is entirely serious , and it lies in the contrast of what may be called the newspaper - headline view of events and what we know is the truth of the matter [ 4 ] . Or again , in 2 Henry VI ...
... comedy of the scene is simple enough , but it is entirely serious , and it lies in the contrast of what may be called the newspaper - headline view of events and what we know is the truth of the matter [ 4 ] . Or again , in 2 Henry VI ...
Pagina 53
... comedy of the first meeting of the conspirators in Part I was in keeping with the Falstaffian mode that so largely determined the tone of that play , so this scene is attuned to the appearance of a Falstaff who seems , at first perplex ...
... comedy of the first meeting of the conspirators in Part I was in keeping with the Falstaffian mode that so largely determined the tone of that play , so this scene is attuned to the appearance of a Falstaff who seems , at first perplex ...
Pagina 177
... Comedy , p . 121. In his later book , The Dream of Learning , Mr James clearly brings out the play's affirmative qualities as ' a peculiar labour of knowing ' . Mr James's account of Shakespeare's development from Hamlet to King Lear ...
... Comedy , p . 121. In his later book , The Dream of Learning , Mr James clearly brings out the play's affirmative qualities as ' a peculiar labour of knowing ' . Mr James's account of Shakespeare's development from Hamlet to King Lear ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
Achilles action Antony and Cleopatra appearance Arden edition aspects aware Bardolph CHAPTER character comedy consciousness Cordelia Coriolanus course criticism death defined doth dramatic earlier plays Edmund Elizabethan embodied essay evil evoked experience F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek hath heart Henry VI honour human nature I. A. Richards imagery images imaginative insistence interest irony kind King Henry King Lear Lear's lines living Macbeth man's meaning mind moral murder Nature's passage passion pattern peace philosophic phrase play's poet poetic poetry political present public world question realism reality Regan relation revealed Richard scene seems sense Shake Shakespeare significance simply Sonnets speak speech suggestion T. S. Eliot thee themes things thou thought time's tion tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural vision Wheel of Fire whole Wilson Knight words