Some Shakespearean Themes1960 |
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Pagina 10
... aware of connexions even within a limited area is not only to get fresh insight into the development of Shakespeare's thought as a whole , it is to deepen our understanding of the individual plays . The charge that my selection of ...
... aware of connexions even within a limited area is not only to get fresh insight into the development of Shakespeare's thought as a whole , it is to deepen our understanding of the individual plays . The charge that my selection of ...
Pagina 145
... aware in the Egyptian scenes . We do not need any Roman prompting to be aware of something cloying in the sexual insistence ( in the opening of 1. ii , for example ) , and of something practised in ( to borrow a phrase from North ) the ...
... aware in the Egyptian scenes . We do not need any Roman prompting to be aware of something cloying in the sexual insistence ( in the opening of 1. ii , for example ) , and of something practised in ( to borrow a phrase from North ) the ...
Pagina 151
... aware of the simplifying effect of war ; but with the return of peace internal strain promptly reasserts itself . Coriolanus's behaviour in seeking the consulship brings the conflict to a head . No summary account can do justice to the ...
... aware of the simplifying effect of war ; but with the return of peace internal strain promptly reasserts itself . Coriolanus's behaviour in seeking the consulship brings the conflict to a head . No summary account can do justice to the ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
Achilles action Antony and Cleopatra appearance Arden edition aspects aware Bardolph CHAPTER character comedy consciousness Cordelia Coriolanus course criticism death defined doth dramatic earlier plays Edmund Elizabethan embodied essay evil evoked experience F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek hath heart Henry VI honour human nature I. A. Richards imagery images imaginative insistence interest irony kind King Henry King Lear Lear's lines living Macbeth man's meaning mind moral murder Nature's passage passion pattern peace philosophic phrase play's poet poetic poetry political present public world question realism reality Regan relation revealed Richard scene seems sense Shake Shakespeare significance simply Sonnets speak speech suggestion T. S. Eliot thee themes things thou thought time's tion tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural vision Wheel of Fire whole Wilson Knight words