Some Shakespearean Themes1960 |
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Pagina 29
... Richard III - the conventional and formal mode ( history moralized on the Tudor pattern ) [ 3 ] is increasingly qualified by reality breaking in . To say this does not of course mean that there is a simple progress from ' convention ...
... Richard III - the conventional and formal mode ( history moralized on the Tudor pattern ) [ 3 ] is increasingly qualified by reality breaking in . To say this does not of course mean that there is a simple progress from ' convention ...
Pagina 32
... Richard's state of mind is conveyed primarily through a series of sharp visual touches directly expressed - the vision of himself as " strutting " ludicrously before a " wanton , ambling nymph " , as being " barked at " by the dogs as ...
... Richard's state of mind is conveyed primarily through a series of sharp visual touches directly expressed - the vision of himself as " strutting " ludicrously before a " wanton , ambling nymph " , as being " barked at " by the dogs as ...
Pagina 33
... Richard , then , there is a new psychological interest [ 6 ] . ( It is significant that Shake- speare drew on More's vivid and dramatic presentation in his Life of Richard III [ 7 ] . ) But it is as the Machiavel — not the merely ...
... Richard , then , there is a new psychological interest [ 6 ] . ( It is significant that Shake- speare drew on More's vivid and dramatic presentation in his Life of Richard III [ 7 ] . ) But it is as the Machiavel — not the merely ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
Achilles action Antony and Cleopatra appearance Arden edition aspects aware Bardolph CHAPTER character comedy consciousness Cordelia Coriolanus course criticism death defined doth dramatic earlier plays Edmund Elizabethan embodied essay evil evoked experience F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek hath heart Henry VI honour human nature I. A. Richards imagery images imaginative insistence interest irony kind King Henry King Lear Lear's lines living Macbeth man's meaning mind moral murder Nature's passage passion pattern peace philosophic phrase play's poet poetic poetry political present public world question realism reality Regan relation revealed Richard scene seems sense Shake Shakespeare significance simply Sonnets speak speech suggestion T. S. Eliot thee themes things thou thought time's tion tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural vision Wheel of Fire whole Wilson Knight words