Some Shakespearean Themes1960 |
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Pagina 94
... Goneril , and Regan take their stand on the unrestrained self - seeking of natural impulse . The two daughters , by their actions , by what they say , and by the imagery of beasts of prey so consistently associated with them [ 11 ] ...
... Goneril , and Regan take their stand on the unrestrained self - seeking of natural impulse . The two daughters , by their actions , by what they say , and by the imagery of beasts of prey so consistently associated with them [ 11 ] ...
Pagina 105
... Goneril and Regan ( III . vi . 20-56 ) is not only an obliquely ironic comment on human justice that will be made more explicit later , it offers a direct rebuff to Lear's habitual appeal to a merely legalistic code . And here's another ...
... Goneril and Regan ( III . vi . 20-56 ) is not only an obliquely ironic comment on human justice that will be made more explicit later , it offers a direct rebuff to Lear's habitual appeal to a merely legalistic code . And here's another ...
Pagina 117
... Goneril and Regan , the way is apparently cleared for an ending far different from that represented by the stark stage - direction : ' Enter Lear , with Cordelia dead in his arms ' . The scene of Lear's final anguish is so painful that ...
... Goneril and Regan , the way is apparently cleared for an ending far different from that represented by the stark stage - direction : ' Enter Lear , with Cordelia dead in his arms ' . The scene of Lear's final anguish is so painful that ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
Achilles action Antony and Cleopatra appearance Arden edition aspects aware Bardolph CHAPTER character comedy consciousness Cordelia Coriolanus course criticism death defined doth dramatic earlier plays Edmund Elizabethan embodied essay evil evoked experience F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek hath heart Henry VI honour human nature I. A. Richards imagery images imaginative insistence interest irony kind King Henry King Lear Lear's lines living Macbeth man's meaning mind moral murder Nature's passage passion pattern peace philosophic phrase play's poet poetic poetry political present public world question realism reality Regan relation revealed Richard scene seems sense Shake Shakespeare significance simply Sonnets speak speech suggestion T. S. Eliot thee themes things thou thought time's tion tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural vision Wheel of Fire whole Wilson Knight words