Some Shakespearean Themes1960 |
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Pagina 20
... Elizabethan public theatres , the Elizabethan audiences , and the conventions and traditions of Elizabethan drama suggest that the conditions under which Shakespeare wrote encouraged — or at least allowed for- —an active concentration ...
... Elizabethan public theatres , the Elizabethan audiences , and the conventions and traditions of Elizabethan drama suggest that the conditions under which Shakespeare wrote encouraged — or at least allowed for- —an active concentration ...
Pagina 22
... Elizabethan plays achieved or aimed at a formalism of that kind . But by a happy combination of circum- stances some degree of formalism was inevitable . And the advantages of formalism , for dramatist and spectators , are apparent if ...
... Elizabethan plays achieved or aimed at a formalism of that kind . But by a happy combination of circum- stances some degree of formalism was inevitable . And the advantages of formalism , for dramatist and spectators , are apparent if ...
Pagina 166
... Elizabethan Love Sonnet , pp . 248 ff . 5. The Scriptural references in which both parts of this play abound ( see Richmond Noble , Shakespeare's Biblical Knowledge , pp . 169-81 ) seem to me to take on a more severe significance in ...
... Elizabethan Love Sonnet , pp . 248 ff . 5. The Scriptural references in which both parts of this play abound ( see Richmond Noble , Shakespeare's Biblical Knowledge , pp . 169-81 ) seem to me to take on a more severe significance in ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
Achilles action Antony and Cleopatra appearance Arden edition aspects aware Bardolph CHAPTER character comedy consciousness Cordelia Coriolanus course criticism death defined doth dramatic earlier plays Edmund Elizabethan embodied essay evil evoked experience F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek hath heart Henry VI honour human nature I. A. Richards imagery images imaginative insistence interest irony kind King Henry King Lear Lear's lines living Macbeth man's meaning mind moral murder Nature's passage passion pattern peace philosophic phrase play's poet poetic poetry political present public world question realism reality Regan relation revealed Richard scene seems sense Shake Shakespeare significance simply Sonnets speak speech suggestion T. S. Eliot thee themes things thou thought time's tion tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural vision Wheel of Fire whole Wilson Knight words