Some Shakespearean Themes |
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Pagina 115
CORDELIA . He wakes ; speak to him . DOCTOR . Madam , do you ; ' tis fittest . CORDELIA . How does my royal Lord ? How fares your Majesty ? LEAR . You do me wrong to take me out o ' th ' grave ; Thou art a soul in bliss ; but I am bound ...
CORDELIA . He wakes ; speak to him . DOCTOR . Madam , do you ; ' tis fittest . CORDELIA . How does my royal Lord ? How fares your Majesty ? LEAR . You do me wrong to take me out o ' th ' grave ; Thou art a soul in bliss ; but I am bound ...
Pagina 116
CORDELIA . O ! look upon me , Sir , And hold your hand in benediction o'er me . No , Sir , you must not kneel . LEAR . Pray , do not mock me : I am a very foolish fond old man , Fourscore and upward , not an hour more or less ; And , to ...
CORDELIA . O ! look upon me , Sir , And hold your hand in benediction o'er me . No , Sir , you must not kneel . LEAR . Pray , do not mock me : I am a very foolish fond old man , Fourscore and upward , not an hour more or less ; And , to ...
Pagina 176
Professor Kenneth Muir , in a note on this line in the Arden edition , quotes W. Perrett — ' When Cordelia is away her place as the represent- ative of utter truthfulness is taken by the Fool ' . 23. References to Enid Welsford ...
Professor Kenneth Muir , in a note on this line in the Arden edition , quotes W. Perrett — ' When Cordelia is away her place as the represent- ative of utter truthfulness is taken by the Fool ' . 23. References to Enid Welsford ...
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Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action answer Antony appearance aspects aware brings CHAPTER character close comes concerned consciousness Cordelia course criticism death defined direction directly doth effect element Elizabethan essay essential evil experience expressed fact feel final follow Fool force give given Gloucester hand hath heart Henry honour human imagery images imaginative insistence interest John kind King Lear Lear's less lies lines living look Macbeth meaning merely mind moral murder nature particular passage pattern peace phrase play poet poetry political possible present question reality reason references relation represent revealed scene seems seen sense Shakespeare shows significance simply Sonnets speak speech stand suggestion themes things thou thought tion tragedies Troilus true truth Ulysses values vision whole