Imperialism And Music: Britain 1876-1953
Manchester University Press, 2001 - 534 pagini
This is the first book to consider the relationship between British imperialism and music. With its unique ability to stimulate the emotions and to create mental images, music was used to dramatize, illustrate, and reinforce the components of the ideological cluster that constituted British imperialism in its heyday: patriotism, monarchism, hero-worship, Protestantism, racialism, and chivalry. It was also used to emphasize the inclusiveness of Britain by stressing the contributions of England, Scotland, Wales, and Ireland to the imperial project.
Ce spun oamenii - Scrieți o recenzie
Nu am găsit nicio recenzie în locurile obișnuite.
coronations and jubilees
Armistice Day and Empire Day
exhibitions and festivals
opera operetta and ballet
music for imperial films
Sing a song of Empire
the imperial hymn
the dominions musical tour
Dame Emma Albani
Alte ediții - Afișați-le pe toate
appeared army arranged audience Australia ballads band battle became Boys Britain Britannia British called Canada celebration century choir chorus Christian Church colonies composed concert conducted Coronation Crown culture dance death Edward effect Elgar Empire England English event Exhibition expression Festival film final flag followed George Glory Guards Hall heart Henry Hope hymn Ibid idea imperial included India inspired John Jubilee June King Kipling land leading Light living London Lord major massed memory military national anthem never noted opened opera patriotic peace performed played popular Praise present Press Prince programme Queen recorded regiment represented Royal Rule sang Save scene score singing soldiers songs South spirit stage story success Sullivan sung Tattoo theme tour troops tune Union Jack University verse Victoria whole written wrote