FOR a muse of fire, that would ascend A kingdom for a stage, princes to act, Within this wooden O, the very casques. O for circle, alluding to the circular form of the Globe theatre. The very casques, that is the casques alone, or merely the casques. 2 Imaginary forces. Imaginary for imaginant or imaginati your powers of fancy. The active and passive are often confound by old writers. The perilous, narrow ocean parts asunder. And make imaginary puissance : Think, when we talk of horses, that you see them Who, prologue-like, your humble patience pray SCENE I. London1. An Antechamber in the King's Enter the Archbishop of Canterbury, and Canterbury. Y lord, I'll tell you,-that self bill is urg'd, king's reign pass'd, But that the scambling 3 and unquiet time 1 This first scene was added in the folio, together with the choruses, and other amplifications. It appears from Hall and Holinshed that the events passed at Leicester, where King Henry V. held a parliament in the second year of his reign. But the chorus at the beginning of the second act shows that the poet intended to make London the place of his first scene. 2 Canterbury and Ely. Henry Chicheley, a Carthusian monk, recently promoted to the see of Canterbury. John Fordham, bishop of Ely, consecrated 1388, died 1426. 3 Scambling, i. e. scrambling. Vide note on Much Ado about Nothing, Act v. Sc. 1, note 8. Question is debate. 288 ACT I. Ely. But how, my lord, shall we resist it now? Would they strip from us: being valued thus,- "A thousand pounds by the year :" Thus runs the bill. Ely. This would drink deep. Cant. 'Twould drink the cup and all. Ely. But what prevention? Cant. The king is full of grace, and fair regard. And whipp'd the offending Adam out of him: To envelop and contain celestial spirits. Never was such a sudden scholar made: Never came reformation in a flood, With such a heady current, scouring faults; Nor never hydra-headed wilfulness 5 This passage seems intended to be read by the Archbishop, as it bears a tone of approval that was not his. The same thought occurs in the preceding play, where King Henry V. says: My father is gone wild into his grave, For in his tomb lie my affections." So soon did lose his seat, and all at once, As in this king. Ely. And, all admiring, with an inward wish You would desire, the king were made a prelate : You would say, it hath been all in all his study: The Gordian knot of it he will unloose, Which is a wonder, how his grace should glean it, His companies9 unletter'd, rude, and shallow; Any retirement, any sequestration 7 Johnson has noticed the exquisite beauty of this line. We have the same thought in As You Like It, Act ii. Sc. 7: "I must have liberty Withal, as large a charter as the wind, 8 "So that the art and practick part of life Must be the mistress to this theorick." He discourses with so much skill on all subjects, "that this theoretic knowledge must have been taught by art and practice,' which is strange, since he could see little of the true art or practice among his loose companions, nor ever retired to digest his practice into theory. Practick and theorick, or rather practique and theorique, were the old orthography of practice and theory. 9 Companies, for companions. |