Distortion in Art: The Eye and the Mind

accept Ancient angle animals appear arrangement artist associated background body central characteristic clearly combination complex consisting convey created cues cultural depicted depth depth cues derived described designs detail device difficulties discussion distance distortions drawing drawn effect Egyptian elements elevation entirely epitomic equally essential evoke example experience face figures flux frontal further head horse human illustrated important indicated interpretation involved less light looking manner means Museum nature noted notion object observer occur orientation original outline overlap oxen painting pairs pattern perceptual perhaps perspective photograph pictorial pictorial depth picture placed plane Plate plough portrayal portrayed position possible present probably projection relationships relative represent representation reproduced result reverse seems seen shape shown shown in Figure shows side similar simple space style suggest surface symmetry taken thought transformations turned typical views units variety various viewer visual woman