SONETS SLECTED FROM ENGLISH AND AMERICAN AUTHORS |
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Pagina iii
... clear theme , a definite some- thing to say ; and as far as possible to choose only those that develop this thought , according to a clearly conceived plan , in musical , imaginative language . But by no means is every one of these two ...
... clear theme , a definite some- thing to say ; and as far as possible to choose only those that develop this thought , according to a clearly conceived plan , in musical , imaginative language . But by no means is every one of these two ...
Pagina v
... clear and unified theme , stated in the first quatrain , developed or proved in the second , confirmed or regarded from a new point of view in the first tercet , and concluded in the second tercet . It had thus four parts , divided ...
... clear and unified theme , stated in the first quatrain , developed or proved in the second , confirmed or regarded from a new point of view in the first tercet , and concluded in the second tercet . It had thus four parts , divided ...
Pagina vi
... clear , yet prescribed way ; they were not used merely for the sake of pause , or just to make the poem appear neater , but as transition that would render the logic more apparent . Moreover , the rigid rhyme scheme aided this use of ...
... clear , yet prescribed way ; they were not used merely for the sake of pause , or just to make the poem appear neater , but as transition that would render the logic more apparent . Moreover , the rigid rhyme scheme aided this use of ...
Pagina vii
... clear types have , however , predominated : that modeled on the form of Petrarch , the octave a b ba a b b a , and two or three new rhymes variously arranged in the sestet ; that devised by Surrey , but usually called after Shakespeare ...
... clear types have , however , predominated : that modeled on the form of Petrarch , the octave a b ba a b b a , and two or three new rhymes variously arranged in the sestet ; that devised by Surrey , but usually called after Shakespeare ...
Pagina x
... clear when such rough lines and poor rhymes as those of Wyatt were considered a reformation . 1 Mary Bowen , Influence of Petrarch upon the Elizabethan Sonnet . Unpub- lished Thesis . 2 Mark Pattison , The Sonnets of John Milton ...
... clear when such rough lines and poor rhymes as those of Wyatt were considered a reformation . 1 Mary Bowen , Influence of Petrarch upon the Elizabethan Sonnet . Unpub- lished Thesis . 2 Mark Pattison , The Sonnets of John Milton ...
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Sonets Slected from English and American Authors Laura E. Lockwood Nu există previzualizare disponibilă - 2016 |
Termeni și expresii frecvente
beauty behold beneath birds blood breath bright Christina G cloud Company Dante Gabriel Rossetti dark dead dear death deep delight door dost doth dream earth Edmund Spenser Elizabeth Barrett Browning English eternal eyes face fair feet flowers gaze glorious grace hand hast hath hear heard heart heaven Henry Wadsworth Longfellow hour immortal Italian John Keats John Milton land leaves life's lines lips lone Lord love thee love's mighty moon murmur never night o'er pale passionate pause peace permission Petrarch Philip Bourke Marston poets praise publishers Reprinted from Poems rhyme scheme round sestet shadows shine sight silence sing sleep smile song sonnet sorrow soul sound Spenser stars summer Surrey sweet tears Theodore Watts-Dunton thine things Thou art thought trembling verse voice weary weep wild William Lisle Bowles William Shakespeare William Wordsworth wind wings Wyatt
Pasaje populare
Pagina 13 - THAT time of year thou mayst in me behold When yellow leaves, or none, or few, do hang Upon those boughs which shake against the cold, Bare ruin'd choirs, where late the sweet birds sang. In me thou see'st the twilight of such day As after sunset fadeth in the west; Which by and by black night doth take away, Death's second self, that seals up all in rest.
Pagina 24 - Sea that bares her bosom to the moon; The winds that will be howling at all hours, And are up-gathered now like sleeping flowers; For this, for everything, we are out of tune; It moves us not. — Great God! I'd rather be A Pagan suckled in a creed outworn; So might I, standing on this pleasant lea, Have glimpses that would make me less forlorn; Have sight of Proteus rising from the sea; Or hear old Triton blow his wreathed horn.
Pagina 14 - Let me not to the marriage of true minds Admit impediments. Love is not love Which alters when it alteration finds, Or bends with the remover to remove. O, no! it is an ever-fixed mark That looks on tempests and is never shaken; It is the star to every wandering bark, Whose worth's unknown, although his height be taken.
Pagina 97 - If I should die, think only this of me : That there's some corner of a foreign field That is for ever England. There shall be In that rich earth a richer dust concealed ; A dust whom England bore, shaped, made aware, Gave, once, her flowers to love, her ways to roam, A body of England's, breathing English air, Washed by the rivers, blest by suns of home.
Pagina 9 - Since there's no help, come, let us kiss and part! Nay, I have done. You get no more of me! And I am glad, yea, glad with all my heart, That thus so cleanly I myself can free. Shake hands for ever! Cancel all our vows! And when we meet at any time again, Be it not seen in either of our brows That we one jot of former love retain.
Pagina 23 - MILTON ! thou should'st be living at this hour : England hath need of thee : she is a fen Of stagnant waters : altar, sword, and pen, Fireside, the heroic wealth of hall and bower, Have forfeited their ancient English dower Of inward happiness. We are selfish men ; Oh ! raise us up, return to us again ; And give us manners, virtue, freedom, power.
Pagina 21 - Their martyred blood and ashes sow O'er all the Italian fields, where still doth sway The triple Tyrant ; that from these may grow A hundredfold, who, having learnt thy way, Early may fly the Babylonian woe.
Pagina 12 - Not marble, nor the gilded monuments Of princes, shall outlive this powerful rhyme ; But you shall shine more bright in these contents Than unswept stone, besmear'd with sluttish time. When wasteful war shall statues overturn, And broils root out the work of masonry, Nor Mars his sword nor war's quick fire shall burn The living record of your memory.
Pagina 21 - WHEN I consider how my light is spent Ere half my days in this dark world and wide, And that one Talent which is death to hide Lodged with me useless, though my soul more bent To serve therewith my Maker, and present My true account, lest He returning chide, "Doth God exact day-labour, light denied?
Pagina 21 - AVENGE, O Lord, thy slaughtered saints, whose bones Lie scattered on the Alpine mountains cold; Even them who kept thy truth so pure of old, When all our fathers worshipped stocks and stones, Forget not; in thy book record their groans Who were thy sheep, and in their ancient fold Slain by the bloody Piedmontese, that rolled Mother with infant down the rocks.