The Seven Basic Plots: Why We Tell StoriesBloomsbury Publishing, 11 nov. 2005 - 736 pagini This remarkable and monumental book at last provides a comprehensive answer to the age-old riddle of whether there are only a small number of 'basic stories' in the world. Using a wealth of examples, from ancient myths and folk tales via the plays and novels of great literature to the popular movies and TV soap operas of today, it shows that there are seven archetypal themes which recur throughout every kind of storytelling. But this is only the prelude to an investigation into how and why we are 'programmed' to imagine stories in these ways, and how they relate to the inmost patterns of human psychology. Drawing on a vast array of examples, from Proust to detective stories, from the Marquis de Sade to E.T., Christopher Booker then leads us through the extraordinary changes in the nature of storytelling over the past 200 years, and why so many stories have 'lost the plot' by losing touch with their underlying archetypal purpose. Booker analyses why evolution has given us the need to tell stories and illustrates how storytelling has provided a uniquely revealing mirror to mankind's psychological development over the past 5000 years. This seminal book opens up in an entirely new way our understanding of the real purpose storytelling plays in our lives, and will be a talking point for years to come. |
Cuprins
Rags to Riches | |
The Quest | |
Voyage and Return | |
Reaching the Goal | |
The Fatal Flaw | |
Missing the Mark | |
Enter the Dark Inversion | |
The Dark and Sentimental Versions | |
Quest Voyage and Return Comedy | |
Tragedy and Rebirth | |
Thomas Hardy A Case History | |
Comedy | |
The Plot Disguised | |
The Five Stages | |
The Divided Self | |
The Hero as Monster | |
Rebirth | |
From Shadow into Light | |
The Rule of Three the role played in stories by numbers | |
The Complete Happy Ending | |
The Dark Figures | |
The Feminine and Masculine Values | |
The Perfect Balance | |
The Unrealised Value | |
The Archetypal Family Drama Continued | |
The Light Figures | |
The Passive Ego The TwentiethCentury Dead End From Chekhov to Close Encounters | |
From de Sade to The Terminator | |
From Job to Nineteen EightyFour | |
The Mystery | |
Oedipus and Hamlet | |
Why We Tell Stories | |
Ego versus Instinct | |
The Ruling Consciousness | |
Reconnecting with The One | |
The Dismantling of the Self | |
The Light and the Shadows on the Wall | |
Bibliography | |
Alte ediții - Afișează-le pe toate
The Seven Basic Plots: Why We Tell Stories Christopher Booker Nu există previzualizare disponibilă - 2019 |
Termeni și expresii frecvente
Aladdin Amleth anima Anna Karenina archetypal arrives beautiful become begins central figure centre century characters Comedy comes complete consciousness Creon Dark Father dark feminine dark figure dark masculine dark power Dark Rival death developed Don Giovanni Dream Stage egocentric egotism emerge eventually everything familiar fantasy film finally girl goal Hamlet happens happy ending heart here-here herefn hero and heroine hero or heroine hero’s human imagination inner James Bond Jane Eyre journey killed king kingdom liberated light lives look Macbeth married Moby Dick mother murder mysterious myths nature Nightmare Stage novel obsession Odysseus Oedipus ordeals outward Overcoming the Monster pattern play plot Princess Quest Rags to Riches realise recognise representing role seems seen sense shadow storytelling symbol symbolised Teiresias Theseus Tragedy transformation true turn type of story ultimately unconscious values Voyage and Return whole wife Wise Old woman young
