The Meaning of Shakespeare, Volume 1, Volumul 1University of Chicago Press, 15 feb. 2009 - 408 pagini In two magnificent and authoritative volumes, Harold C. Goddard takes readers on a tour through the works of William Shakespeare, celebrating his incomparable plays and unsurpassed literary genius. |
Din interiorul cărții
Rezultatele 1 - 5 din 60
Pagina 9
... course Shakespeare was a playwright . He tells us , in fact , that like the dyer's hand , his nature just escaped being subdued to what it worked into the theater , that is , to acting and to playmaking . Some of those I have called ...
... course Shakespeare was a playwright . He tells us , in fact , that like the dyer's hand , his nature just escaped being subdued to what it worked into the theater , that is , to acting and to playmaking . Some of those I have called ...
Pagina 10
... course . Yet how strangely amalgamated with the voices of the rocks and hills . Earth is the grossest of the elements and its power to give back images and echoes is less obvious and immediate than that of water and air . But it too ...
... course . Yet how strangely amalgamated with the voices of the rocks and hills . Earth is the grossest of the elements and its power to give back images and echoes is less obvious and immediate than that of water and air . But it too ...
Pagina 18
... course of true love never did run smooth . If soon after the year 1590 Shakespeare had had a vision of the love stories he was to write , and had jotted down notes for future use , they might well have taken a form close to these five ...
... course of true love never did run smooth . If soon after the year 1590 Shakespeare had had a vision of the love stories he was to write , and had jotted down notes for future use , they might well have taken a form close to these five ...
Pagina 26
... course overemphasizes the contrast . Artistic creation is not quite as unconscious a process as the statement implies , and the intellect is needed to keep the creative impulse in restraint . But for practical purposes we may say that ...
... course overemphasizes the contrast . Artistic creation is not quite as unconscious a process as the statement implies , and the intellect is needed to keep the creative impulse in restraint . But for practical purposes we may say that ...
Pagina 43
Ți-ai atins limita de vizualizări pentru această carte.
Ți-ai atins limita de vizualizări pentru această carte.
Cuprins
1 | |
15 | |
25 | |
28 | |
V Titus Andronicus | 33 |
VI Richard III | 35 |
VII The Two Gentlemen of Verona | 41 |
VIII Loves Labours Lost | 48 |
XIV King John | 140 |
XV Richard II | 148 |
XVI Henry IV Part 1 Henry IV Part II The Merry Wives of Windsor | 161 |
XVII Henry V | 215 |
XVIII Henry VIII | 269 |
XIX Much Ado about Nothing | 271 |
XX As You Like It | 281 |
XXI Twelfth Night | 294 |
IX The PoetPlaywright | 55 |
X The Taming of the Shrew | 68 |
XI A MidsummerNights Dream | 74 |
XII The Merchant of Venice | 81 |
XIII Romeo and Juliet | 117 |
XXII Julius Caesar | 307 |
XXIII Hamlet | 331 |
Index | 387 |
Alte ediții - Afișează-le pe toate
Termeni și expresii frecvente
Antonio Bassanio battle beginning blood Brutus called Capulet casket Cassius character Comedy Comedy of Errors comes cries critics crown dead death devil disguise doth dramatic Duke eyes fact Falstaff father fear fool genius Gentlemen of Verona Ghost give Hamlet hath heart heaven Henry Henry IV Henry VI Henry's hero honor Hotspur imagination Julius Caesar Justice kill King Lear King's Laertes lines lord lover Merchant of Venice Mercutio mercy metaphor Midsummer-Night's Dream mind moral mother murder nature never night peace play poet poetry Polonius Portia Prince revenge Richard Richard II Romeo and Juliet Rosalind says scene seems sense Shake Shakespeare Shylock soul speak speech spirit story sweet symbol tell theater theatrical thee theme things thou thought throne Touchstone tragedy true truth turns Twelfth Night Tybalt unconscious utter words youth