The Meaning of Shakespeare, Volume 1, Volumul 1University of Chicago Press, 15 feb. 2009 - 408 pagini In two magnificent and authoritative volumes, Harold C. Goddard takes readers on a tour through the works of William Shakespeare, celebrating his incomparable plays and unsurpassed literary genius. |
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Pagina 1
... child lost in one of his stories as retold by Charles and Mary Lamb , to the old man turning to his works for forti- tude and vision , every age finds in them what it needs . Every new lover of them finds himself , as every generation ...
... child lost in one of his stories as retold by Charles and Mary Lamb , to the old man turning to his works for forti- tude and vision , every age finds in them what it needs . Every new lover of them finds himself , as every generation ...
Pagina 2
... child . It is essentially an impulse toward objectification , reali- zation , an urge to translate the language of words into the language of into- nation , gesture , and action in the widest sense . If the story itself is oral , and ...
... child . It is essentially an impulse toward objectification , reali- zation , an urge to translate the language of words into the language of into- nation , gesture , and action in the widest sense . If the story itself is oral , and ...
Pagina 3
... children to come unto me , and forbid them not . " That is what I call taking the Bible not in vain . The little boy who in an emergency put that pragmatic interpretation on Jesus's words showed " much more his own conceiving " than the ...
... children to come unto me , and forbid them not . " That is what I call taking the Bible not in vain . The little boy who in an emergency put that pragmatic interpretation on Jesus's words showed " much more his own conceiving " than the ...
Pagina 18
... child . ' It shall suspect where is no cause of fear ; It shall not fear where it should most mistrust ; It shall be merciful , and too severe , And most deceiving when it seems most just ; Perverse it shall be , where it shows most ...
... child . ' It shall suspect where is no cause of fear ; It shall not fear where it should most mistrust ; It shall be merciful , and too severe , And most deceiving when it seems most just ; Perverse it shall be , where it shows most ...
Pagina 30
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Cuprins
1 | |
15 | |
25 | |
28 | |
V Titus Andronicus | 33 |
VI Richard III | 35 |
VII The Two Gentlemen of Verona | 41 |
VIII Loves Labours Lost | 48 |
XIV King John | 140 |
XV Richard II | 148 |
XVI Henry IV Part 1 Henry IV Part II The Merry Wives of Windsor | 161 |
XVII Henry V | 215 |
XVIII Henry VIII | 269 |
XIX Much Ado about Nothing | 271 |
XX As You Like It | 281 |
XXI Twelfth Night | 294 |
IX The PoetPlaywright | 55 |
X The Taming of the Shrew | 68 |
XI A MidsummerNights Dream | 74 |
XII The Merchant of Venice | 81 |
XIII Romeo and Juliet | 117 |
XXII Julius Caesar | 307 |
XXIII Hamlet | 331 |
Index | 387 |
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Termeni și expresii frecvente
Antonio Bassanio battle beginning blood Brutus called Capulet casket Cassius character Comedy Comedy of Errors comes cries critics crown dead death devil disguise doth dramatic Duke eyes fact Falstaff father fear fool genius Gentlemen of Verona Ghost give Hamlet hath heart heaven Henry Henry IV Henry VI Henry's hero honor Hotspur imagination Julius Caesar Justice kill King Lear King's Laertes lines lord lover Merchant of Venice Mercutio mercy metaphor Midsummer-Night's Dream mind moral mother murder nature never night peace play poet poetry Polonius Portia Prince revenge Richard Richard II Romeo and Juliet Rosalind says scene seems sense Shake Shakespeare Shylock soul speak speech spirit story sweet symbol tell theater theatrical thee theme things thou thought throne Touchstone tragedy true truth turns Twelfth Night Tybalt unconscious utter words youth