SELECTIONS A What matters it? the ship does not stop. The wind is blowing; that dark ship must keep on her destined course. She passes away. The man disappears, then reappears; he plunges and rises again to the surface; he calls, he stretches out his hands. They hear him not; the ship, staggering under the gale, is straining every rope; the sailors and passengers see the drowning man no longer; his miserable head is but a point in the vastness of the billows. He hurls cries of despair into the depths. What a spectre is that disappearing sail! He looks upon it; he looks upon it with frenzy. It moves away; it grows dim; it diminishes. He was there but just now; he was one of the crew; he went and came upon the deck with the rest; he had his share of the air and of the sunlight; he was a living man. Now, what has become of him? He slipped, he fell; and it is finished. He is in the monstrous deep. He has nothing under his feet but the yielding, fleeing element. The waves, torn and scattered by the wind, close round him hideously; the rolling of the abyss bears him along; shreds of water are flying about his head; a populace of waves spit upon him; confused openings half swallow him; when he sinks he catches glimpses of yawning precipices full of darkness; fearful unknown vegetations seize upon him, bind his feet, and draw him to themselves; he feels that he is becoming 283 the great deep; he makes part of the foam; the billows toss him from one to the other; he tastes the bitterness; the greedy ocean is eager to devour him; the monster plays with his agony. It seems as if all this were liquid hate. But yet he struggles. He tries to defend himself; he tries to sustain himself; he struggles; he swims. He-that poor strength that fails so soon-he combats the unfailing. Where now is the ship? Far away yonder. Hardly visible in the pallid gloom of the horizon. The wind blows in gusts; the billows overwhelm him. He raises his eyes, but sees only the livid clouds. He, in his dying agony, makes part of this immense insanity of the sea. He is tortured to his death by its immeasurable madness. He hears sounds which are strange to man, sounds which seem to come not from earth, but from some frightful realm beyond. There are birds in the clouds even as there are angels above human distresses, but what can they do for him? They fly, sing, and float, while he is gasping. He feels that he is buried at once by those two infinities, the ocean and the sky; the one is a tomb, the other a pall. Night descends. He has been swimming for hours; his strength is almost exhausted. That ship, that far-off thing, where there were men, is gone. He is alone in the terrible gloom of the abyss; he sinks, he strains, he struggles; he feels beneath him the shadowy monsters of the unseen; he shouts. Men are no more. Where is God? He shouts. Help! help! He shouts incessantly. Nothing in the horizon. Nothing in the sky. He implores the blue vault, the waves, the rocks; all are deaf. He supplicates the tempest; the imperturbable tempest obeys only the Infinite. Around him are darkness, storm, solitude, wild and unconscious tumult, the ceaseless tumbling of the fierce waters; within him, horror and exhaustion; beneath him, the engulfing abyss. No resting-place. He thinks of the shadowy adventures of his lifeless body in the limitless gloom. The biting cold paralyzes him. His hands clutch spasmodically and grasp at nothing. Winds, clouds, whirlwinds, blasts, stars, all useless! What shall he do? He yields to despair; worn out, he seeks death; he no longer resists; he gives himself up; he abandons the contest, and he is rolled away into the dismal depths of the abyss forever. O implacable march of human society! Destruction of men and of souls marking its path! Ocean, where fall all that the law lets fall? Ominous disappearance of aid! O moral death! The sea is the inexorable night into which the penal law casts its victims. The sea is the measureless misery. The soul drifting in that sea may become a corpse. Who shall restore it to life? VICTOR HUGO. THE QUEEN ARJAMAND'S DAGGER. (Abridged and adapted from "With Sa'di in the Garden.") THEY tell this story of Queen Arjamand: In the Kandhari Bagh-and Zan-i-Noor, Grandchild of Abdurrahîm, Prince of the Blood: "If we could turn His Majesty," said these, "From Mumtaz, that were well wrought for the State, Mashallah! will nought dull those dazzling eyes?" And hang the Queen's pearls round her throat, and bring When she is gone-so may my Lord the King The girl Knew-for they told her she must die, or gain In vestments of the beauteous Queen, her face *The Executioner. Listening outside the marble jâli-work— Clad in his private dress-white muslin clasped With one great pearl, white cap and jewelled shoes- Spake with a gentle smile: "Light of my life! Doubtless, you think he drew his blade and slew her there! He was a man, 'tis writ, of gravity; Nice in his pride, terrible in his wrath, But oh! you do not know how fair she was! With witchery of subtlest symmetry, And she was such! That Lady of the Taj Owned not such lustrous orbs, nor could have shown Such eloquence of beauty, touched by fear |