 Talking is the direct object of the imitation here. But in all the best dramas, and in Shakspeare above all, how obvious it is, that the form of speaking, whether it be in soliloquy or dialogue, is only a medium, and often a highly artificial one, for...  The Prose Works of Charles Lamb - Pagina 103de Charles Lamb - 1836Vizualizare completă - Despre această carte
 | Leigh Hunt - 1811 - 510 pagini
...obvious it is, that the form of speaking, whether it be in soliloquy or dialogue, is only a medinm, and often a highly artificial one, for putting the...form of composition by any gift short of intuition. We do here as we do with novels written in the epistolary form. How many improprieties, perfect solecisms... | |
 | 1815 - 558 pagini
...in all the best dramas, and in Shakspeare above all, how obvious it is, that the form of spealdng, whether it be in soliloquy or dialogue, is only a...which he could otherwise never have arrived at in thai form of composition by any gift short of intuition. We do here as we do with novels written in... | |
 | 1815 - 554 pagini
...here. But in all the best dramas, and in Shakspeare above all, how obvious it is, that the form of speaking, whether it be in soliloquy or dialogue,...form of composition by any gift short of intuition. We do here as we do with novels written in the epistolary form. How many improprieties, perfect solecisms... | |
 | 1815 - 628 pagini
...above all, how obvious it is, that the form of speaking, whether it be in soliloquy or dialogue, \s only a medium, and often a highly artificial one,...form of composition by any gift short of intuition. We do here as we do with novels written in the epistolary form. How many improprieties, perfect solecisms... | |
 | Charles Lamb - 1818 - 288 pagini
...here. But in all the best dramas, and in Shakspeare above all, how obvious it is, that the form of speaking, whether it be in soliloquy or dialogue,...form of composition by any gift short of intuition. 8 ON SHAKSFEARE'S TRAGEDIES. We do here as we do with novels written in the epistolary form. How many... | |
 | Charles Lamb - 1835 - 390 pagini
...here. But in all the best dramas, and in Shakspeare above all, how obvious it is, that the form ot speaking, whether it be in soliloquy or dialogue,...form of composition by any gift short of intuition. We do here as we do with novels written in the epistolary form. How many improprieties, perfect solecisms... | |
 | Charles Lamb - 1835 - 376 pagini
...here. But in all the best dramas, and in Shakspeare above all, how obvious it is, that the form ot speaking, whether it be in soliloquy or dialogue,...form of' composition by any gift short of intuition. We do here as we do with novels written in the epistolary form. How many improprieties, perfect solecisms... | |
 | Charles Lamb - 1835 - 440 pagini
...here. But in all the best dramas, and in Shakspeare above all, how obvious it is, that the form ol speaking, whether it be in soliloquy or dialogue,...form of composition by any gift short of intuition. We do here as we do with novels written in the epistolary form. How many improprieties, perfect solecisms... | |
 | Charles Lamb, Thomas Noon Talfourd - 1838 - 486 pagini
...here. But in all the best dramas, and in Sluikspeare above all. how obvious it is, that the form of speaking, whether it be in soliloquy or dialogue,...form of composition by any gift short of intuition. We do here as we do with novels written in the epistolary form. How many improprieties, perfect solecisms... | |
 | Charles Lamb - 1850 - 444 pagini
...imitation here. But in all the best dramas, and in Shakspeare above all how obvious it is, that the form of speaking, whether it be in soliloquy or dialogue,...structure and workings of mind in a character, which he qpuld otherwise never have arrived at in that form of composition by any gift short of intuition. We... | |
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