If symptoms are failed repressions, representations are symptoms that visualise even as they conceal what is too dangerous to articulate openly but too fascinating to repress successfully. They repress by localising death away from the self, at the body... Power - Pagina 91editat de - 2006 - 140 paginiPrevizualizare limitată - Despre această carte
| Elisabeth Bronfen - 1992 - 484 pagini
...express it directly. If symptoms are failed repressions, representations are symptoms that visualise even as they conceal what is too dangerous to articulate...but too fascinating to repress successfully. They repress by localising death away from the self, at the body of a beautiful woman, at the same time... | |
| Rita Ferrari - 1996 - 238 pagini
...express it directly. If symptoms are failed repressions, representations are symptoms that visualise even as they conceal what is too dangerous to articulate...but too fascinating to repress successfully. They repress by localising death away from the self, at the body of a beautiful woman, at the same time... | |
| Cristina Mazzoni - 1996 - 260 pagini
...women—the site of alterity and therefore of distance from the self—as "symptoms that visualize even as they conceal what is too dangerous to articulate...openly but too fascinating to repress successfully." 23 Along the lines of romanticism and especially of melodrama, death becomes the culmination of the... | |
| Joanne Morra, Mark Robson, Marquard Smith - 2000 - 282 pagini
...the dangerous knowledge as something beautiful, fascinating and ultimately reassuring. Visualizing even as they conceal what is too dangerous to articulate...ineluctably return the desire for and the knowledge of finitude and dissolution, upon and against which all individual and cultural systems of coherence and... | |
| Judith E. McKinlay - 2004 - 214 pagini
...(1992), pp. 145-58 (146): 'representations are symptoms that visualise even as they conceal that which is too dangerous to articulate openly, but too fascinating to repress successfully... At the same time these representations let the repressed return, albeit in a disguised manner.' understood... | |
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