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THE ODYSSEY

As one that for a weary space has lain
Lulled by the song of Circe and her wine
In gardens near the pale of Proserpine,
Where that Ææan isle forgets the main,
And only the low lutes of love complain,
And only shadows of wan lovers pine,

As such an one were glad to know the brine
Salt on his lips, and the large air again-
So gladly, from the songs of modern speech

Men turn, and see the stars, and feel the free
Shrill wind beyond the close of heavy flowers,
And through the music of the languid hours
They hear like Ocean on a western beach
The surge and thunder of the Odyssey.

Andrew Lang [1844-1912]

THE DEAREST POETS

WERE I to name, out of the times gone by,
The poets dearest to me, I should say,
Pulci for spirits, and a fine, free way;
Chaucer for manners, and close, silent eye;
Milton for classic taste, and harp strung high;
Spenser for luxury, and sweet, sylvan play;
Horace for chatting with, from day to day;
Shakespeare for all, but most, society.

But which take with me, could I take but one?
Shakespeare, as long as I was unoppressed

With the world's weight, making sad thoughts intenser;
But did I wish, out of the common sun

To lay a wounded heart in leafy rest,

And dream of things far off and healing,-Spenser.

Leigh Hunt [1784-1859]

FALSE POETS AND TRUE

Look how the lark soars upward and is gone,

Turning a spirit as he nears the sky!

His voice is heard, but body there is none

To fix the vague excursions of the eye.

So, poets' songs are with us, though they die
Obscured, and hid by death's oblivious shroud,
And Earth inherits the rich melody

Like raining music from the morning cloud.

Yet few there be who pipe so sweet and loud
Their voices reach us through the lapse of space:

The noisy day is deafened by a crowd

Of undistinguished birds, a twittering race;
But only lark and nightingale forlorn

Fill up the silences of night and morn.

Thomas Hood [1799-1845]

A SINGING LESSON

FAR-FETCHED and dear bought, as the proverb rehearses,

Is good, or was held so, for ladies: but naught
In a song can be good if the turn of the verse is
Far-fetched and dear bought.

As the turn of a wave should it sound, and the thought
Ring smooth, and as light as the spray that disperses
Be the gleam of the words for the garb thereof wrought.

Let the soul in it shine through the sound as it pierces
Men's hearts with possession of music unsought;
For the bounties of song are no jealous god's mercies,
Far-fetched and dear bought.

Algernon Charles Swinburne [1837-1909]

POETRY

I AM the reality of things that seem;
The great transmuter, melting loss to gain,
Languor to love, and fining joy from pain.
I am the waking, who am called the dream;
I am the sun, all light reflects my gleam;
I am the altar-fire within the fane;
I am the force of the refreshing rain;
I am the sea to which flows every stream;
I am the utmost height there is to climb;

I am the truth, mirrored in fancy's glass;

I am stability, all else will pass;

I am eternity, encircling time;

Kill me, none may; conquer me, nothing can-
I am God's soul, fused in the soul of man.

Ella Heath [18

THE INNER VISION

MOST sweet it is with unuplifted eyes

To pace the ground, if path be there or none,
While a fair region round the traveller lies
Which he forbears again to look upon;
Pleased rather with some soft ideal scene,
The work of Fancy, or some happy tone
Of meditation, slipping in between

The beauty coming and the beauty gone.

-If Thought and Love desert us, from that day
Let us break off all commerce with the Muse:
With Thought and Love companions of our way—
Whate'er the senses take or may refuse,-

The Mind's internal heaven shall shed her dews
Of inspiration on the humblest lay.

William Wordsworth [1770-1850]

ON AN OLD SONG

LITTLE snatch of ancient song,
What has made thee live so long?
Flying on thy wings of rhyme
Lightly down the depths of time,
Telling nothing strange or rare,
Scarce a thought or image there,
Nothing but the old, old tale
Of a hapless lover's wail;

Offspring of an idle hour,

Whence has come thy lasting power?

By what turn of rhythm or phrase,
By what subtle careless grace,
Can thy music charm our ears
After full three hundred years?

J

Landmarks of the human mind
One by one are left behind,
And a subtle change is wrought
In the mould and cast of thought;
Modes of reasoning pass away,
Types of beauty lose their sway;
Creeds and causes that have made
Many noble lives must fade,

And the words that thrilled of old
Now seem hueless, dead, and cold;
Fancy's rainbow tints are flying,
Thoughts, like men, are slowly dying;
All things perish, and the strongest
Often do not last the longest;
The stately ship is seen no more,
The fragile skiff attains the shore;

And while the great and wise decay,

And all their trophies pass away,

Some sudden thought, some careless rhyme,
Still floats above the wrecks of Time.

William Edward Hartpole Lecky [1838-1903]

TO SONG

HERE shall remain all tears for lovely things
And here enshrined the longing of great hearts,
Caught on a lyre whence waking wonder starts,
To mount afar upon immortal wings;
Here shall be treasured tender wonderings,
The faintest whisper that the soul imparts,
All silent secrets and all gracious arts,
Where nature murmurs of her hidden springs.

O magic of a song! here loveliness

May sleep unhindered of life's mortal toll,

And noble things stand towering o'er the tide; Here mid the years, untouched by time or stress, Shall sweep on every wind that stirs the soul The music of a voice that never died!

Thomas S. Jones, Jr. [1882

VERSE

PAST ruined Ilion Helen lives,

Alcestis rises from the shades;

Verse calls them forth; 'tis verse that gives
Immortal youth to mortal maids.

Soon shall Oblivion's deepening veil
Hide all the peopled hills you see,
The gay, the proud, while lovers hail
These many summers you and me.

Walter Savage Landor [1775-1864]

AN OLD-FASHIONED POET

IN simpler verse than triolets,
Rondeau, or deft quatrain,
With breath of morning violets
In every dewy strain,

He sang from overflowing heart

His sweet old songs unspoiled by art.

Progressive years have passed since then-
The Muse has changed her ways;

No more through flowery mead and glen
A rustic maid she strays;

Amid the traffic of the town

We catch the flutter of her gown.

But one who knows her virgin grace
Gives back the songs she sung
And brings with glimpses of her face
The days when love was young.

O Muse immortal, singer true,
What harmonies unite the two!

Ada Foster Murray [18

POET AND LARK

WHEN leaves turn outward to the light,
And all the roads are fringed with green,

When larks are pouring, high, unseen,
The joy they find in song and flight,

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