Shakespearean Criticism, Volumul 52Michelle Lee, Kathy D. Darrow Gale Research International, Limited, 2000 - 420 pagini Annotation For a convenient introduction to Shakespearean topics, plays and poems, start with this authoritative resource. Beginning with Volume 27, this illustrated series focuses on criticism published after 1960 and provides the reader with a thematic approach to Shakespeare's works. An introduction, criticism, annotated bibliography and cumulative index to topics help users organize their research, making diligent inquiry quick and easy. The series also offers an annual compilation of essays that represent the year's most noteworthy contributions to Shakespearean scholarship. |
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Pagina 27
... sexual potency . What Shakes- peare has done in this scene is to stage a metaphorical in- version of the act of sexual union and procreation as Lady Macbeth links the issue of Duncan's murder to Macbeth's ability to become " so much ...
... sexual potency . What Shakes- peare has done in this scene is to stage a metaphorical in- version of the act of sexual union and procreation as Lady Macbeth links the issue of Duncan's murder to Macbeth's ability to become " so much ...
Pagina 224
... sexual and political desire both shapes an ambitious ty- rant's image and undoes it . More specifically , Richard III and Sejanus ( and in a different way , Macbeth ) combine ambition with the tyrant's traditional attribute of lust when ...
... sexual and political desire both shapes an ambitious ty- rant's image and undoes it . More specifically , Richard III and Sejanus ( and in a different way , Macbeth ) combine ambition with the tyrant's traditional attribute of lust when ...
Pagina 231
... sexual ambition , murder with sexual desire , dungeons with bedchambers , and the erotic with violence , entrapment , and damnation . In the courtship scene , Richard is able to sustain a perfectly balanced inversion that works partly ...
... sexual ambition , murder with sexual desire , dungeons with bedchambers , and the erotic with violence , entrapment , and damnation . In the courtship scene , Richard is able to sustain a perfectly balanced inversion that works partly ...
Cuprins
Morality in Shakespeares Works | 1 |
Richard II | 107 |
Richard III | 195 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumul 28 Vizualizare fragmente - 1984 |
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action Alcibiades Anne Anne's Antony Apemantus appears Arden argues audience authority auxesis bastard becomes body Bolingbroke Buckingham Cambridge character chard Claudius comedy conscience Coriolanus critics crown curse death deformity divine dramatic Duke edition Edward Elizabeth Elizabethan England English essay date evil father figure friends Gaunt gift economy give Hamlet hath Henry Henry VI Henry's Holinshed human Iago illegitimacy John kind King Lear King Richard lines London Lord Macbeth Machiavelli marriage meaning Measure for Measure ment metaphor misanthrope moral plays mother murder nature Othello paradox play's Poet political Prince Prospero Queen Renaissance rhetorical Rich Richmond role royal says scene seems sense sexual Shakespeare shame social soliloquy soul speak speech stage suggest symbol synecdoche Tempest theatrical thee theme things thou throne Timon of Athens tion tragedy tragic Tudor Univ University Press Vice virtue words York