How to Read a Film: The Art, Technology, Language, History, and Theory of Film and Media, Volumul 10

accelerated montage actors American Film anamorphic André Bazin aperture artistic audience basic British broadcast Cahiers du Cinéma camera cinema cinéma vérité cinematographer codes color comedy complex concept connotation contemporary criticism cultural D. W. Griffith depth of field developed device direct Direct Cinema directors documentary dominant drama early economic editing effect Eisenstein electronic elements essay esthetic example experience Figure film history Film Noir film theory filmmaker filmstock focus Frame enlargement French genre Godard Hollywood important interesting invention Jean-Luc Godard language lens lenses light major medium METONYMY Metz mise en scène MOMA/FSA montage moving narrative networks novel optical painting photographic political popular produced projected projector psychological radio ratio realism reality recording relationship scene screen semiotics sense sequence signal significant sound soundtrack spectrum studios style syntagma tape techniques television theater tion visual waves widescreen York zoom