Scottish Literary Journal, Volumele 23-24Association for Scottish Literary Studies, 1996 |
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Pagina 72
... critical of Adorno , Adorno himself was invariably critical of neoclassicism , particularly in the music of Stravinsky . Adorno's critique of neoclassicism is succinctly formulated in the following aphorism : ' Neo - classicism became ...
... critical of Adorno , Adorno himself was invariably critical of neoclassicism , particularly in the music of Stravinsky . Adorno's critique of neoclassicism is succinctly formulated in the following aphorism : ' Neo - classicism became ...
Pagina 5
... critical consensus which holds that James Macpherson's The Poems of Ossian did not emerge from the Highland mists fully formed and unprompted , but that leading members of the Scottish Enlightenment provided ' the inspiration ...
... critical consensus which holds that James Macpherson's The Poems of Ossian did not emerge from the Highland mists fully formed and unprompted , but that leading members of the Scottish Enlightenment provided ' the inspiration ...
Pagina 74
... critical Norman Fruman , Coleridge , the Damaged Archangel ( New York : George Braziller , 1971 ) , the ambivalent approach in my essay , ' Reviewing Kant's Early Reception in England : The Leading Role of Henry Crabb Robinson ' , in ...
... critical Norman Fruman , Coleridge , the Damaged Archangel ( New York : George Braziller , 1971 ) , the ambivalent approach in my essay , ' Reviewing Kant's Early Reception in England : The Leading Role of Henry Crabb Robinson ' , in ...
Cuprins
ROBIN DIX The Literary Relationship of Mark | 13 |
MARJORY HARPER Adventure or Exile? The Scottish | 21 |
The Teaching | 33 |
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