Doña Lona: A Novel Based on the Life of Doña Tules : Facsimile of Original 1941 Edition

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Sunstone Press, 2007 - 348 pagini
It was a time of turbulence, turmoil and trouble that culminated in the Mexican War and the American Army occupation of what had been part of Mexico since their independence from Spain in 1821. Doña Lona is a woman of wealth and importance in New Mexico and, as the owner of a gambling hall, she becomes involved in the politics of the time. She is a loyal supporter of the Americans and helps them in the days after the conquest when there were still pockets of rebellion. She is in the right place to act as a spy for the new government. "Doña Lona" is a story based on actual history and the life of the famous gambling queen, María Gertrudis Barceló, better known as Doña Tules. The characters are all part of the real life drama of the settling of the American Southwest. Doña Tules is also the subject of another book, "The Wind Leaves No Shadow" by Ruth Laughlin, also published by Sunstone Press in its Southwest Heritage Series. Blanche Chloe Grant was born in Leavenworth, Kansas in 1874 and died in Taos, New Mexico in 1948. A graduate of Vassar College, she also had studied art at the Art League in New York City and attended other art schools. She continued her successful art career in painting throughout her life but began a second career as a writer after moving to Taos in 1920. She began to research the history of Taos and the Southwest and the people who were part of that history. Grant wanted to make that history readily accessible to her contemporaries, so she wrote her books all based on the facts she had uncovered in her research into the past.

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Pagina 289 - Fe, a stately dame of a certain age, the possessor of a portion of that shrewd sense and fascinating manner necessary to allure the wayward, inexperienced youth to the hall a native of Taos and went to Santa Fe in search of "fame and fortune,
Pagina 309 - F6, alluding to its capture by the Americans without any resistance. I told him there was but one opinion respecting it expressed all over the country — that General Armijo and the New Mexicans were a pack of arrant cowards; to which he answered, "Adios, they don't know I had but seventy-five men to fight three thousand. What could I do f " On the 13tb of December, 1853, while the legislative assembly was in session at Santa !•'•'• . Dr.
Pagina viii - Careful analysis of what was written of Madam Barcelo by Josiah Gregg, George Brewerton and others has made me veer away from what historians are determined that we should believe of her. Not a man ever said that he really knew her. Seemingly these early commentators felt that she must necessarily conform to the type with which they were familiar, the disreputable frontier gambling woman. My own research through many years convinces me that they have maligned her.
Pagina 309 - Durango, he having some seven waggon-loads with him, and also what they said, in Mexico, of the doings in Santa Fe, alluding to its capture by the Americans without any resistance. I told him that there was but one opinion respecting it expressed all over the country - that General Armijo and the New Mexicans were a pack of arrant cowards; to which he answered, 'Adids! [A Diosf]. They don't know that I had but seventy-five men to fight 3,000. What could I do?
Pagina 288 - Spanish, and our conversation was carried on in both languages! he was well dressed in new boots, pants, hat, and white blanket-coat.
Pagina 289 - ... well dressed in new boots, pants, hat and white blanket-coat." Now she sat in a straight, high-backed chair and wrote of the ball: "Among the officers of the army I found some very agreeable, and all were attentive to me.

Despre autor (2007)

BLANCHE CHLOE GRANT was born in Leavenworth, Kansas in 1874 and died in Taos, New Mexico in 1948. A graduate of Vassar College, she also had studied art at the Art League in New York City and attended other art schools. She continued her successful art career in painting throughout her life but began a second career as a writer after moving to Taos in 1920 and this brought dramatic changes for her. She first took on the job of editor of the "Taos Valley News" and began her years of research into the history of Taos and the Southwest. This led then to a series of books, many of which were about Taos and the people who lived there. Her art also changed and she painted Native American and Western subjects. Although an active participant in the Taos art scene, she continued to show paintings in New York. Gradually her main interests turned to her writing. Her books included "Doña Lona," "When Old Trails Were New," and "Taos Indians" and she edited a biography of Kit Carson based on his notes, "Kit Carson's Own Story of His Life," all available again from Sunstone Press.

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